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St Albans Abbey is one of Britain's earliest Christian foundations and commemorates Britain's first Christian martyr, the Romano-British saint Alban, who was executed in about AD 300. For more than 1700 years people have gathered and worshipped on this site. St Albans: Cathedral and Abbey, produced to celebrate the 60th anniversary of the Friends of St Alban's Abbey in 2009, tells the story of the Abbey from Alban to the present day. The imposing and much-loved building that we see today was built as an abbey in the Norman era and raised to cathedral status in 1877. The text is lavishly illustrated with a wonderful series of specially commissioned photographs taken by St Albans-based photogr...
Many medieval churches were plastered and painted, generally with decorative patterns that emphasised the architecture, sometimes also with figures. St Albans in Hertfordshire is unique in possessing both much of its original scheme of masonry patterns and a sequence of figure subjects, ranging in date from the thirteenth century to the Tudor period. The choice of subject matter casts a fascinating light on the medieval world-view and ways of worship, while stylistic analysis places the paintings at the forefront of contemporary English art. Written by acknowledged expert Michael Michael, St Albans Cathedral Wall Paintings is fully illustrated with specially commissioned new photography of the paintings, together with an informative array of comparative illustrations. AUTHOR: Art historian and author M. A. Michael is professorial fellow, School of Culture and Creative Arts, University of Glasgow. SELLING POINTS: * Uniquely important array of English medieval church paintings * Specially commissioned new photography does full justice to the paintings * Written by art historian Michael Michael 100 colour images
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The present St Paul's Cathedral, Christopher Wren's masterpiece, is the fourth religious building to occupy the site. Its location in the heart of the capital reflects its importance in the English church while the photographs of it burning during the Blitz forms one of the most powerful and familiar images of London during recent times. This substantial and richly illustrated study, published to mark the 1,400th anniversary of St Paul's, presents 42 scholarly contributions which approach the cathedral from a range of perspectives. All are supported by photographs, illustrations and plans of the exterior and interior of St Paul's, both past and present. Eight essays discuss the history of St...
"This publication is issued in conjunction with the exhibition Canterbury and St. Albans: Treasures from Church and Cloister, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from September 20, 2013, to February 2, 2014"--Colophon.
The First World War offers many tales of survival against the odds, but few can have been so meticulously documented as this. Wounded at Passchendaele in October 1917, then sent to a supposedly quiet area near the Aisne just before the Germans' 'Spring Offensive' intensified, Private William Roberts was both desperately unlucky and extremely fortunate. His wartime diary provides not only a compelling insight into the carnage and mud-filled misery at the front, but also glimpses of rare lighter moments - a quiet drink in a local French bar or the surreal experience of attending a concert while battle raged only miles away. The diary brilliantly captures his training in Doncaster, with the excitement and foreboding of what was to come, and the blend of doughty camaraderie and daily tedium that was life in a POW camp. Locked away in a chest for nearly a century, this is perhaps the most remarkable diary by a private soldier of the Great War.
The manuscripts produced and kept at the great English Benedictine house of St Albans between the Norman conquest and the floruit of its notable historian Matthew Paris, about the middle of the thirteenth century, are of remarkable quality. Students of monastic art and culture have often commented on St Albans' patronage of fine books during the twelfth century and later, but there has not until now been a comprehensive and detailed study of how this patronage was organised. This study focuses on the sixty-five manuscripts produced both at and for the abbey during the period, but it also takes into account manuscripts owned by the abbey's dependant cells, and those which it seems to have pro...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.