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Henry the Liberal
Over the course of the twelfth century, the county of Champagne grew into one of the wealthiest and most important of French principalities, home to a large and established aristocracy, the site of international trade fairs, and a center for artistic, literary, and intellectual production. It had not always been this way, notes Theodore Evergates, who charts the ascent of Champagne under the rule of Count Henry the Liberal. Tutored in the liberal arts and mentored in the practice of lordship from an early age, Henry commanded the barons and knights of Champagne on the Second Crusade at twenty and succeeded as count of Champagne at twenty-five. Over the next three decades Henry immersed himse...
The Armor of Light
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Vitreous Vitae
In Vitreous Vitae: St. Margaret of Antioch in Thirteenth-Century Stained Glass, Ashley J. Laverock considers the representation of the virgin martyr St. Margaret in thirteenth-century stained-glass windows in Europe. These windows appeared at a moment when Margaret’s cult was expanding but before the motif of the saint with the ragon became normative. They offer insight into the rich narrative potential of Margaret’s life in a monumental medium seen by wide audiences. Examining these windows not only reveals shared emphases on Margaret’s imitatio Christi, corporeal suffering, and encounters with the dragon and demon, but also shows how distinct site-specific hagiographies of Margaret were tailored to each church’s context. Multi-faceted Margarets contributed to the wider cult of the saint.
Medieval Scholarship: Philosophy and the arts
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Medieval France
Arranged alphabetically, with a brief introduction that clearly defines the scope and purpose of the book. Illustrations include maps, B/W photographs, genealogical tables, and lists of architectural terms.
Medieval Art and Architecture after the Middle Ages
Medieval Art and Architecture after the Middle Ages explores the endurance of and nostalgia for medieval monuments through their reception in later periods, specifically illuminating the myriad ways in which tangible and imaginary artifacts of the Middle Ages have served to articulate contemporary aspirations and anxieties. The essays in this interdisciplinary collection examine the afterlife of medieval works through their preservation, restoration, appropriation, and commodification in America, Great Britain, and across Europe from the sixteenth to the twentieth century. From the evocation of metaphors and tropes, to monumental projects of restoration and recreation—medieval visual cultu...
Architecture and the Historical Imagination
Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.
Cartography in France, 1660-1848
French scientists, engineers, and public officials were responsible for the most important and distinctive innovations in cartography in eighteenth-century Europe. By expanding the analytical uses of maps, by establishing unprecedented standards of accuracy, and by nurturing institutional frameworks to sustain mapping projects over many years, the French contributed to one of the central concepts of modern times: that man, through direct observation and accumulated information can better understand and manage his affairs. Concentrating on how and why new concepts and techniques of making and using maps were introduced, Josef Konvitz skillfully traces the modernization of cartography during t...
