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Sweet Dreams
The letters in this book tell two stories: my father's experience as an 18-year old Staff Sergeant in the U.S. Army between 1947 and 1948; and his mother's struggle to run a funeral business in a small North Carolina town. In the letters, Julian Carr Burroughs, Jr. is preoccupied with the girl he left behind and the morale of his family--while his mother, Ruby Morton Burroughs Sedberry, confronts her loneliness and isolation in a home that doubles as a place where bodies are embalmed and placed in caskets for their loved ones to view. These letters between mother and son paint a unique and detailed picture of the challenges faced by parents and children involved in the military right after WWII and by Southern women emerging from the Great Depression to the possibilities of a better life.
Ibo's Landing
Two families on Edisto Island, SC are convulsed by the mixed-race child of a white woman and her black lover. Set between 1959 and 1994, this explosive novel poses crucial questions about the extent to which two families can escape the legacy of slavery. Why do even well-meaning modern men and women become bearers of the south's sadistic practices?
Closet Stages
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
Ibo’s Landing
Two families on Edisto Island, SC are convulsed by the mixed-race child of a white woman and her black lover. Set between 1959 and 1994, this explosive novel poses crucial questions about the extent to which two families can escape the legacy of slavery. Why do even well-meaning modern men and women become bearers of the south’s sadistic practices?
Closet Drama
Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre. Examining an unusual mix of historical narratives, performances, and texts from the Renaissance to the present, this collection unleashes a provocative array of theoretical concerns about the phenomenon of the closet play—a dramatic text written for reading rather than acting.
Women in British Romantic Theatre
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
The Encyclopedia of British Literature, 3 Volume Set
Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era 3 Volumes www.literatureencyclopedia.com
The Forms of Michael Field
Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
Reading Drama in Eighteenth-Century France
Reading Drama in Eighteenth-Century France is the first book-length study of how plays were read in eighteenth-century France and, relatedly, of closet drama: excessive plays that cannot be performed within the playhouse's confines and which thus appeal to the reader's imagination. This period in France was characterized by 'théâtromanie', a craze that encompassed the page as well as the stage. The book's first part surveys the historical context in which plays were read and offers a theoretical model for understanding this practice. The eighteenth-century closet was valued as a privileged site of reading. Although scholars routinely present this room as a place of calm reflection, Thomas ...
Joanna Baillie, Romantic Dramatist
This superb collection of new essays offers a unique insight into the work of a leading women dramatist of the Romantic era. Contributors offer: *contextual material for those new to Baillie's work *examinations of the relationships between her plays and the philosophical and scientific writing of the era *discussion of Baillie's theatrical methods *extended interpretations of individual plays. Ending years of neglect of Baillie's crucial work, this volume is essential reading for those working on Romanticism, women's writing, or drama of the late eighteenth and early nineteenth centuries.
