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An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
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Based on Catherine Carton's popular blog and vlog channels, Dainty Dress Diaries contains a variety of afternoon craft projects, recycling and upcycling ideas, gardening tips and sewing inspiration.
From the colonial period onward, black artisans in southern cities--thousands of free and enslaved carpenters, coopers, dressmakers, blacksmiths, saddlers, shoemakers, bricklayers, shipwrights, cabinetmakers, tailors, and others--played vital roles in their communities. Yet only a very few black craftspeople have gained popular and scholarly attention. Catherine W. Bishir remedies this oversight by offering an in-depth portrayal of urban African American artisans in the small but important port city of New Bern. In so doing, she highlights the community's often unrecognized importance in the history of nineteenth-century black life. Drawing upon myriad sources, Bishir brings to life men and women who employed their trade skills, sense of purpose, and community relationships to work for liberty and self-sufficiency, to establish and protect their families, and to assume leadership in churches and associations and in New Bern's dynamic political life during and after the Civil War. Focusing on their words and actions, Crafting Lives provides a new understanding of urban southern black artisans' unique place in the larger picture of American artisan identity.
Rather than buying expensive, mass-produced Christmas decorations, follow the ideas and projects in Christmas Crafts and make your own stylish and fun creations. Decorating the Christmas tree always kickstarts the festive celebrations, and in the first chapter you will find masses of new ideas, from chandelier beads suspended from velvet ribbons to felt stars and cinnamon stick bundles. The next chapter focuses on wrapping presents, and here there are giftwrap projects using boxes and bows, paper and fabric, buttons and ricrac. The third chapter on cards also features labels and gift tags, and the projects range from fun snowmen greetings cards to stencilled cards which you can easily make i...
A Genealogy of the Gentleman argues that eighteenth-century women writers made key interventions in modern ideals of masculinity and authorship through their narrative constructions of the gentleman. It challenges two latent critical assumptions: first, that the gentleman’s masculinity is normative, private, and therefore oppositional to concepts of performance; and second, that women writers, from their disadvantaged position within a patriarchal society, had no real means of influencing dominant structures of masculinity. By placing writers such as Mary Davys, Eliza Haywood, Charlotte Lennox, Elizabeth Inchbald, and Mary Robinson in dialogue with canonical representatives of the gentlema...
In the eighteenth century, when the definition of marriage was shifting from one based on an hierarchical model to one based on notions of love and mutuality, marital life came under a more intense cultural scrutiny. This led to paradoxical forms of representation of marriage as simultaneously ideal and unlivable. Chris Roulston analyzes how, as representations of married life increased, they challenged the traditional courtship model, offering narratives based on repetition rather than progression. Beginning with English and French marital advice literature, which appropriated novelistic conventions at the same time that it cautioned readers about the dangers of novel reading, she looks at ...
A collection of 25 fun and unique "Star Trek"-inspired crafts--from accessories to decor to toys. Featuring full-color photographs and easy-to-follow, step-by-step instructions, this clever craft book puts a fresh spin on Captain Picard's order to "make it so."
When Yellowstone’s Super Volcano threatens eruption wiping out the United States, Dr. Thomas Jackson, the world’s foremost expert in the geology of aquifers and underground water movements is called upon to lead the frantic effort to reverse the trends hopefully avoiding an eruption. Joined by internationally known disaster response expert, Catherine Craft, who has just finished her rotation leading the massive response to the eruption of Sicily’s Mt. Etna and the initial test of her designed and personally-funded revolution in response housing and system. Forged together from two different worlds, Thomas and Catherine encounter personal betrayals and losses as they lead an elite team, uncovering the sinister years’ old plot of activating eco-weapons designed to destroy nature and mankind for corporate gain. Despite the huge forces and potential losses in play, Thomas and Catherine immediately connect and navigate unexpected new love as the world closes in on them. They lean on each other as betrayal comes from directions never imagined, from greedy corporations to corrupt government officials to their own twisted families.
Masquerade and Femininity: Essays on Russian and Polish Women Writers introduces the reader to the diversity of women’s writing in Poland and Russia in the 19th and 20th centuries in the light of the notion of masquerade. The present articles scrutinize particular works by women writers (Nadezhda Dmitrievna Khvoshchinskaia, Irina Odoevtseva, Vera Pavlova, Narcyza Żmichowska, Maria Komornicka, Irena Krzywicka and others) and the strategies of masquerading female experience. Taken together, the articles draw attention to the feeling of an inexpressible gap between the living body (and its everyday life experience of pain and suffering or happiness and pleasure) and the culturally constructe...