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Alfred Colo, a former singer-songwriter, has immersed himself in full-blown poetry from creative love lyrics he honed his craft on when he realized that his passion for words lay beyond mere expressions of amour. His initial attempt at self-publishing with Xlibris Corporation in 2008 is a nature-lover’s view in poetry through the four seasons entitled Inside Looking Out. Reluctant at first, not offering too much material at once for reasons both pragmatic and artistic, he later ventured to expand his theme with residual material not included in his first book on four seasons alone. As his appetite grew, he knew that there was more he had to say in his accumulated poetry since 1984, which b...
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This volume is the first part of Rosenthal's cataloging of historical scholarship on Ricardian, Lancastrian, and Yorkist England, and covers categories from political and legal history to social and intellectual history and the arts. This volume is a must for any scholar of the period.
A surprisingly scandalous and vibrantly illustrated chain of entanglements (romantic and otherwise) between some of our best-loved writers and artists of the twentieth century. Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles. Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger.
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It was while she was ill and in bed for several weeks that Marianne found the pencil. It looked quite ordinary, but it wasn't. The things she drew with it - a house, a landscape, the face watching at the window - came alive in her dreams. Sometimes what she drew was good and friendly; sometimes bad and frightening. Once, without quite meaning to, she put herself and the boy in her dreams into a very real danger, from which the only possible escape needed more courage than Marianne thought she could possibly find ... The story has been adapted for the major feature film Paperhouse starring Charlotte Burke as Anna (Marianne), Elliot Spears and Ben Cross.