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Le Prix d’Amour, a vibrant Paris cabaret, is caught in the crossfire of the occupation. Everyone is being watched, and some of Le Prix’s colourful performers are hiding dangerous secrets. Monsieur Maurice manages Le Prix d’Amour, a successful Parisian cabaret, which boasts glitzy performers and sassy showgirls. But with the German occupation in June 1940, Maurice treads a fine line between his German patrons, the French police and the Gestapo as he hides the dark secrets of his performers. Two of his lively showgirls, Lily and Poppy, soon join Maurice in the hunt for an informer who threatens to betray them. With the Allied landings, the tension builds and Maurice is pushed to his limits as his performers finally take the fight to the invader in their own flamboyant way. Secrets and Showgirls portrays an occupied Paris in which exotic cabarets existed uneasily under the heel of the invader. It follows the antics of Maurice, Lily and a glittering array of characters, but never loses sight of the battle to survive that characterised the life of the everyday Parisian.
It’s July 1943 and the world has been at war for almost four long years. One morning, young widow Emmy Penry-Jones discovers two men washed up on the beach below her house on the west coast of Cornwall. Emmy is used to rescuing washed-up sailors, the deadly Battle of the Atlantic exacting a heavy toll on shipping. But these men are not like the shipwrecked sailors she has rescued before and Emmy is soon drawn into a web of intrigue that will test both her ingenuity and her patriotism. Rocked by accusations of war crimes against a man she knows to be innocent, Emmy launches a bid to defend him, all too aware that the accusers could turn on her. The trial marks a turning point and Emmy is drawn further into a deadly cycle of post-war retribution from which only one man can save her.
Marisa Carnarvon is an enigma to her family. In 1938 she turns her back on her family’s money and status and leaves her comfortable pre-war Sydney lifestyle to become a nurse in a London city hospital. Against the backdrop of looming conflict, she moves to a Red Cross hospital in Paris in July 1939, totally unprepared for the challenge of life in an occupied city. In June 1940 the Germans invade Paris and the young nurse is soon pressured by the leader of the local resistance cell to work for the fledgling movement. Her life is further enmeshed by the arrival of a new Gestapo chief who sets out to seduce her. Marisa’s position becomes increasingly precarious as the resistance hunts for a...
She eyed him nervously, this man who could end her life without a second thought. She had been complacent, lulled into forgetting the immense power he wielded over her ... London, 1941, and in the battered capital of occupied Britain, Emilia Shaw works as a translator for ruthless SS General Oskar Voigt. But Emilia is also a resistance spy, desperate to avoid the scrutiny of Voigt’s security chief, Irish policeman Brendan O’Connor, and his brutal offsider, SS Colonel Hans Morser. Promised the crown, the Duke of Windsor returns to London, unleashing a wave of violence from the resistance. The Duke pressures the puppet government for his coronation, but finds himself at the mercy of Hitler, the supreme kingmaker. As the violence escalates, Emilia is hunted by both the SS and the resistance, caught in the crossfire as the country threatens to implode. Ultimately, its fate lies in the hands of one man — the most unlikely of them all. Power and Obsession is the vividly imagined tale of an occupied London, a dark labyrinth peopled by the sinister, the smug and the sadistic. Yet it is also a gripping tale of reckless audacity and the obsessive search for justice.
‘I do feel the loss of my two boys, they was my all …’ wrote grieving father Ernest Watts following the death of his two sons. Like thousands of Australians during World War I, Ernest Watts received his tragic news through the office known as ‘Base Records’. This letter was just one in a series of correspondence that lasted the duration of the war and well into the post-war period. Every letter was answered with patience and courtesy and every response carried the same signature: J.M. Lean. The Man who Carried the Nation’s Grief describes the extraordinary work of James Lean, whose office at times received over 100 letters a day from distressed families. The letters selected by a...
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The Great War confronted Australia’s fledgling field and garrison artillery forces with a seemingly insurmountable challenge: to rapidly raise, prepare, deploy and engage in history’s most lethal war to date. By 1915, the Australian artillery entered into a bloody contest of learning and adaptation against resourceful and resolute opponents, where the stakes would be measured in thousands of soldiers’ lives. Far from popularly-held views of the Great War as one of stalemate and stagnation, Clash of the Gods of War: Australian Artillery and the Firepower Lessons of the Great War reveals a dynamic and rapidly evolving battle-scape, as artillery planners on each side sought to combine inn...
"The dead and wounded of the 47th lay everywhere underfoot". With these words Charles Bean, Australia's Official War Historian, described the battlefield of Dernancourt on the morning of the 5th of April, 1918, strewn with the bodies of the Australian dead. It was the final tragic chapter in the story of the 47th Australian Infantry Battalion in the First World War. One of the shortest lived and most battle hardened of the 1st Australian Imperial Force's battalions, the 47th was formed in Egypt in 1916 and disbanded two years later having suffered one of the highest casualty rates of any Australian unit. Their story is remarkable for many reasons. Dogged by command and discipline troubles an...