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In Biography: Writing Lives, Catherine N. Parke surveys life writing from classical times to the present, reviewing the history, theory, and practice of this genre worldwide. She focuses her analysis on biography in Western culture, providing detailed readings of work by watershed biographers, including James Boswell, Richard Ellman, and Gertrude Stein, who together represent the variety and range of modern literary biography. Parke devotes individual chapters to Samuel Johnson and Virginia Woolf, reading these writers' significance to modern biography in terms of their dual roles as innovative practitioners and theorists of biography and as subjects of major scholarly and popular lives. Parke also examines the relationship of history and fiction to the genre of biography and inquires into the political, social, and ideological factors that have - consciously or unconsciously - affected biographical practice.
Eighteenth-Century Fiction on Screen offers an extensive introduction to cinematic representations of the eighteenth century, mostly derived from classic fiction of that period, and sheds light on the process of making prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe; three films of Moll Flanders; American, British, and French television adaptations of Gulliver's Travels, Clarissa, Tom Jones, and Jacques le fataliste; Wim Wender's film version of Goethe's Wilhelm Meister's Apprentice Years; the controversial film of Diderot's La Religieuese; and French and Anglo-American motion pictures based on Les Liaisons dangereuses among others. This book will appeal to students and scholars of literature and film alike.
This Companion, first published in 1997, provides an introduction to the works and life of one of the key figures in English literary history.
By contrast, in the eighteenth and early nineteenth centuries, many women intellectuals who were familiar with Johnson's works considered him a champion of women, an able defender in the ongoing debate about female nature and ability that had been going on since the middle ages, the querelle des femmes.
Finch, Anne ; Barbould, Anna Loelitia ; Behn, Aphra ; Knight, Ellis Cornelia.
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The short story is one of the most difficult types of prose to write and one of the most pleasurable to read. From Boccaccio's Decameron to The Collected Stories ofReynolds Price, Charles May gives us an understanding of the history and structure of this demanding form of fiction. Beginning with a general history of the genre, he moves on to focus on the nineteenth-century when the modern short story began to come into focus. From there he moves on to later nineteenth-century realism and early twentieth-century formalism and finally to the modern renaissance of the form that shows no signs of abating. A chronology of significant events, works and figures from the genre's history, notes and references and an extensive bibliographic essay with recommended reading round out the volume.
This book draws attention to the controversy that surrounds Betty Friedan, Germaine Greer, Gloria Steinem, and Simone de Beauvoir’s lives and the important role that their life stories have played in their feminist writing. Directly and indirectly, the four women have contributed to battles over feminism’s meaning through autobiographically informed political writing. Inevitably, therefore, their biographers are also participants in these battles, yet not always on the same side as their subjects. Writing Feminist Lives introduces a further fold of nuance into considerations of biography and feminism by showing that the biographers of the four women have made methodological choices that reflect their loyalty to, or their scepticism towards, competing ideological definitions of the exemplary feminist life.
Writing Lives in the Eighteenth Century is a collection of essays on memoir, biography, and autobiography during a formative period for the genre. Employing the methodology William Godwin outlined for novelists of taking material "from all sources, experience, report, and the records of human affairs," each contributor examines within the contexts of their time and historical traditions the anxieties and imperatives of the auto/biographer as she or he shapes material into a legacy.
He was a servant to the public, a writer for hire. He was a hero, an author adding to the glory of his nation. But can a writer be both hack and hero? The career of Samuel Johnson, recounted here by Lawrence Lipking, proves that the two can be one. And it further proves, in its enduring interest for readers, that academic fashions today may be a bit hasty in pronouncing the "death of the author." A book about the life of an author, about how an author is made, not born, Lipking's Samuel Johnson is the story of the man as he lived--and lives--in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature ...