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Hester
Hester - Margaret Oliphant - Complete 3 Volumes of Hester by Margaret Oliphant, which tells the story of the Vernon banking family.Hester is an 1883 novel written by Margaret Oliphant. It examines the cycle of history through the lives of the Vernon family. The book was published in three separate volumes corresponding to three parts of the story. The novel was adapted (and the story reoriented) by Kate Clanchy and Zena Forster for broadcast by BBC Radio 4 in 2013, showing Hester as a determined organizer successful for years but ultimately defeated by the male world of Victorian business. Catherine Vernon, jilted in her youth, has risen to power in a man's world as head of the family bank. She thinks she sees through everyone and rules over a family of dependants with knowing cynicism. But there are two people in Redborough who resist her. One is Hester, a young relation with a personality as strong as Catherine's, and as determined to find a role for herself. The other is Edward, who Catherine treats like a son. Conflict between the young and the old is inevitable, and in its depiction of the complex relationships that develop between the three principal characters.
The Essential Feminist Collection – 60 Powerful Classics in One Volume
The Essential Feminist Collection 60 Powerful Classics in One Volume' is a seminal anthology that encapsulates the multifaceted nature of feminist literary expression across two centuries. This collection traverses a vast landscape of literary styles from the penetrating realism of Henrik Ibsen to the nuanced social commentary of Charlotte Brontë, and the pioneering environmentalism of Gene Stratton-Porter. It underscores the incredible diversity and significant impact of feminist literature, showcasing standout pieces that have fundamentally shifted the cultural and literary discourse surrounding gender, society, and human rights. The range of narratives, from novels and essays to speeches...
The Greatest Feminist Classics in One Volume
The Greatest Feminist Classics in One Volume curates an unparalleled collection of literary works that together trace the evolution and impact of feminist thought across generations and geographies. Including an array of literary styles from the pioneering novel to insightful essays, and groundbreaking plays this anthology situates itself within a critical period of social and literary history where the voices of women, and some supportive men, began to loudly question and dismantle the patriarchal structures limiting their lives. The breadth of diversity and the literary richness of works, inclusive of seminal pieces by figures like Virginia Woolf and Harriet Martineau, illustrate the multi...
The Essential Feminist Classics
DigiCat presents to you this unique collection of feminist masterpieces - from fictional protagonists who influenced generations of young women to the real heroines of the past, their life stories and their legacy. Fiction: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Davis) Little Women (Louisa May Alcott) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) T...
Hester
Hester is a novel set in Victorian times where three main characters intermingle to create complex relationships where the thin red line is the conflict between old and young. An obsessive tale of financial and erotic risk-taking that unavoidably results in a blistering culmination.
Unfinished Austen: Interpreting "Catharine", "Lady Susan", "The Watsons" and "Sanditon"
Unfinished Austen examines four texts that Jane Austen left incomplete: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817), none of them published till well after her death. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. They also problematize the romance plot prominent in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. These texts sometimes show how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. They may do this through developing the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.
The Selected Works of Margaret Oliphant, Part V Volume 20
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Home and Away
Home and Away: The Place of the Child Writer is an important contribution to the fast-growing and rapidly evolving field of literary juvenilia studies. This collection of essays by fifteen scholars is the first in this area to be published in the past decade. To reflect recent developments, Home and Away both theorises the current state of this richly interdisciplinary academic field and exemplifies juvenilia studies in action. An authoritative review of the origins and future of literary juvenilia studies is followed by a collection of essays on individual authors. Wide-ranging in literary periods covered, geographical regions represented, and methodological approaches employed, the collect...
Hester: A Story of Contemporary Life (Complete)
The Banking House of the Vernons was known through all the Home Counties as only second to the Bank of England in stability and strength. That is to say, the people who knew about such matters, the business people, the professional classes, and those who considered themselves to be acquainted with the world, allowed that it ought to be considered second: but this opinion was not shared by the greater proportion of its clients, the shopkeepers in Redborough and the adjacent towns, the farmers of a wide district, and all the smaller people whose many united littles make up so much wealth. To them Vernon's bank was the emblem of stability, the impersonation of solid and substantial wealth. It h...
The Location of Experience
We tend to feel that works of fiction give us special access to lived experience. But how do novels cultivate that feeling? Where exactly does experience reside? The Location of Experience argues that, paradoxically, novels create experience for us not by bringing reality up close, but by engineering environments in which we feel constrained from acting. By excavating the history of the rise of experience as an important category of Victorian intellectual life, this book reveals how experience was surprisingly tied to emotions of remorse and regret for some of the era’s great women novelists: the Brontës, George Eliot, Margaret Oliphant, and Elizabeth Gaskell. It shows how these writers passed ideas about experience—and experiences themselves—among each other. Drawing on intellectual history, psychology, and moral philosophy, The Location of Experience shows that, through manipulating the psychological dimensions of fiction’s formal features, Victorian women novelists produced a philosophical account of experience that rivaled and complemented that of the male philosophers of the period.
