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Adaptation Considered as a Collaborative Art
This book examines the processes of adaptation across a number of intriguing case studies and media. Turning its attention from the 'what' to the 'how' of adaptation, it serves to re-situate the discourse of adaptation studies, moving away from the hypotheses that used to haunt it, such as fidelity, to questions of how texts, authors and other creative practitioners (always understood as a plurality) engage in dialogue with one another across cultures, media, languages, genders and time itself. With fifteen chapters across fields including fine art and theory, drama and theatre, and television, this interdisciplinary volume considers adaptation across the creative and performance arts, with a single focus on the collaborative.
Modern Austrian Literature through the Lens of Adaptation
For decades postwar Austrian literature has been measured against and moulded into a series of generic categories and grand cultural narratives, from nostalgic ‘restoration’ literature of the 1950s through the socially critical ‘anti-Heimat’ novel to recent literary reckonings with Austria’s Nazi past. Peering through the lens of film adaptation, this book rattles the generic shackles imposed by literary history and provides an entirely new critical perspective on Austrian literature. Its original methodological approach challenges the primacy of written sources in existing scholarship and uses the distortions generated by the shift in medium as a productive starting point for lite...
The Cambridge Companion to British Theatre since 1945
The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.
The Book Of Desire
'I invite you, dear reader, to enter this beautiful world. I invite you to fall in love.' The Book of Desire is the award-winning writer Meena Kandasamy's luminous translation of the Kamattu-p-pal, a 2000-year-old song of female love and desire. The Kamattu-p-pal is the most intimate section of the Tirukkural – one of the most important texts in Tamil literature. Its verses rejoice in the pleasures of sex, beauty and all aspects of love. Although hundreds of male translations of the text have been published, it has also ever been translated by a woman once before. It is also, historically, the part that has been most heavily censored. The Book of Desire is Meena Kandasamy's own feminist reclamation of this great work. With her trademark wit, lyricism and insight, she weaves a magic spell: ensuring this timeless classic feels fresh and passionate. It fizzes with energy and joy – and tells a vital story about female agency and desire. It is a revolution 2000 years in the making.
My Mind To Me A Kingdom Is
In My Mind To Me A Kingdom Is, the extraordinary follow-up to his prize-winning novel Forbidden Line, Paul Stanbridge tells us about remarkable things. He tells us about the plains of Doggerland, lost under the North Sea. He tells us about ancient horses, carved into chalk hillsides. He tells us about the mysteries of trees. My Mind to Me A Kingdom Is is a book bursting with the joy of discovery, the beauty of the world, and the rich, warm pulse of life. It is also a book about death. In 2015, Paul's brother took his own life, leaving behind pitifully few possessions and an irreducible complex of questions. In his search for answers, Paul discovers that facts can be the opposite of truth, and that to see something fully, we must sometimes look away. Blending fiction and memoir, knowing and unknowing, love and loss, My Mind To Me A Kingdom Is is a heartbreaking and generous exploration of grief. A beautiful and painful tribute to Paul's brother, it stands alone.
Exhibiting the Past
With respect to public issues, history matters. With the worldwide interest for historical issues related with gender, religion, race, nation, and identity, public history is becoming the strongest branch of academic history. This volume brings together the contributions from historians of education about their engagement with public history, ranging from musealisation and alternative ways of exhibiting to new ways of storytelling.
Beasts Of England
Adam Biles's anarchic return to Animal Farm is a warped fable; a state-of-the-farmyard novel about back-stabbers, truth-twisters and corrupt charlatans. Manor Farm has reinvented itself as the South of England's premium petting zoo. Now humans and beasts alike are invited (for a small fee) to come and stroke, fondle, and take rides on the farm's inhabitants. But life is not a bed of roses for the animals, in spite of what their leaders may want them to believe. Elections are murky, the community is beset by factions, and sacred mottos are being constantly updated. Manor Farm is descending into chaos. What's more, a mysterious illness has started ripping through its residents, killing them one by one... In Beasts of England, Adam Biles honours, updates and subverts George Orwell's classic, all the while channelling the chaos of populist politics in the internet age into a savage farmyard satire.
A Writer's Diary
'I blame Literature. All those f*cking lovely writers who made me want to be a writer. Toby Literature.' A Writer's Diary is a year in the life of a man called Toby Litt. Day by day, Toby offers intimate details about his family and well-being, insights into creative writing, and other fascinating reflections, ranging from the immediate surroundings of his desk and study out into the world and on to infinite possibility. As the year unfolds an increasingly urgent narrative starts to build. A Writer's Diary becomes a compulsive page-turner, full of stories and characters we have grown to love – and full of questions we need answered. W ill Toby Litt find the perfect pencil sharpener? Will everyone he loves make it through the year? And will he be the same person at the end of it? Blending fact and fiction, invention and memoir with joyful creativity and remarkable ambition, A Writer's Diary is a year in a life and a life in a year. .
Malarkoi
NATHAN TREEVES IS DEAD, murdered by the Master of Mordew, his remains used to create the powerful occult weapon known as the Tinderbox. His companions are scattered, making for Malarkoi, the city of the Mistress, the Master's enemy. They are hoping to find welcome there, or at least safety. They find neither – and instead become embroiled in a life and death struggle against assassins, demi-gods, and the cunning plans of the Mistress. Only Sirius, Nathan's faithful magical dog, has not forgotten the boy. Bent on revenge, he returns to the shattered remains of Mordew – only to find the city morphed into an impossible mountain, swarming with monsters. He senses something in the Manse at its pinnacle – the Master is there, grieving the loss of his manservant, Bellows – and in the ruins of the slums Sirius finds a power capable of destroying his foe, if only he has the strength to use it. The stage is set for battle, sacrifice, magic and treachery in the stunning sequel to Mordew. ... Welcome to Malarkoi..
After Sappho
It's 1895. Amid laundry and bruises, Rina Pierangeli Faccio gives birth to the child of the man who raped her – and who she has also been forced to marry. Unbroken, she determines to change her name; and her life, alongside it. 1902. Romaine Brooks sails for Capri. She has barely enough money for the ferry, nothing for lunch; her paintbrushes are bald and clotted... But she is sure she can sell a painting – and is fervent in her belief that the island is detached from all fates she has previously suffered. ... In 1923, Virginia Woolf writes: I want to make life fuller – and fuller. Sarah Bernhardt – Colette – Eleanora Duse – Lina Poletti – Josephine Baker – Virginia Woolf... these are just a few of the women sharing the pages of a book as fierce as it is luminous. Lush and poetic; furious and funny; in After Sappho, Selby Wynn Schwartz has created a novel that celebrates the women and trailblazers of the past – their constant efforts to push against the boundaries of what it means, and can mean, to be a woman – that also offers hope for our present, and our futures.
