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How the World Changed Social Media is the first book in Why We Post, a book series that investigates the findings of anthropologists who each spent 15 months living in communities across the world. This book offers a comparative analysis summarising the results of the research and explores the impact of social media on politics and gender, education and commerce. What is the result of the increased emphasis on visual communication? Are we becoming more individual or more social? Why is public social media so conservative? Why does equality online fail to shift inequality offline? How did memes become the moral police of the internet? Supported by an introduction to the project’s academic framework and theoretical terms that help to account for the findings, the book argues that the only way to appreciate and understand something as intimate and ubiquitous as social media is to be immersed in the lives of the people who post. Only then can we discover how people all around the world have already transformed social media in such unexpected ways and assess the consequences
Cyberflashing has been on the rise since the Covid-19 pandemic. This book provides new analysis into the harms of cyberflashing. This timely and unique study considers recent laws in several countries and sets out proposals to criminalise cyberflashing in English law.
The story of Phil Lynott as told by his mother. It is also her story, from the days as a single mother bringing up a young black child in Manchester and Dublin, through the heady success of Thin Lizzy, to the tragic chain of events which ended her son's life and plunged her into depression.
Bored Tourists explores the phenomenon of travelling to a foreign country with every intention of being inspired by it, only to be left feeling bemused, disappointed, bored or half asleep. Taken in Spain and Portugal, and shot in square format as a subtle nod to our current 'Instagram generation', these amusing images present an unforgiving vision of the tourist experience. Warning: this book contains a lot of selfie sticks.
Of all experiments with peanut flours. pp. 23.
This is a book of failure and mistakes; it begins with what is stolen from us and proposes only an invitation to imagine. In these playful written experiments, Lola Olufemi navigates the space between what is and what could be. Weaving together fragmentary reflections in prose and poetry, this is an exploration of the possibility of living differently, grounded in black feminist scholarship and political organising. Olufemi shows that the horizon is not an immaterial state we gesture toward. Instead, propelled by the motion of thinking against and beyond, we must invent the future now and never let go of the otherwise.
David George's photographs of Hackney by night reveal urban landscapes of eerie stillness but also unexpected beauty. Here is the London that we miss when we sleep, that is more beautiful than in our dreams. The images are accompanied by a short story by Karen Falconer that takes the reader on a parallel journey into the night of someone's memory.
Urban Swimmers is the second in the series of East London Photo Stories by Hoxton Mini Press. Each book in the series is about Hackney and its surroundings - one of the capital's most rich and diverse areas - and features the work of both emerging and established photographers. Madeleine Waller is a local East London Photographer whose work has been exhibited at the National Portrait Gallery. The book, which includes quotes taken from interviews with the swimmers, gives a touching and humorous insight into the world of those who escape the city to swim in conditions.