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My Father's Son
O'Connor is a young writer struggling to find his place and his voice in a profoundly changed Ireland. Gradually, he begins to establish a formidable reputation. Guests of the Nation and The Saint and Mary Kate belong to this period. The excitement of the Irish literary renaissance is made immediate as O'Connor tells of his friend the poet George Russell, who was the first to publish his work, and of his participation in the triumphs and rivalries of the Abbey Theatre. Here, beautifully rendered, are playwrights Lady Gregory, J. M. Synge, Lennox Robinson, and Sean O'Casey. Central to the book—as he was to O'Connor's life and work—is the complex and majestic figure of William Butler Yeats. The memoir ends with Yeats's death and with it O'Connor's realization that he can no longer divide his talent between his job and his passion. He begins, at last, his life as a writer.
Experimental Irish Theatre
This book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama synonymous with Irish playwriting. Focusing on four marginalised playwrights after Yeats, it charts a tradition linking the experimentation of the early Irish theatre movement with the innovation of contemporary Irish and international drama.
Grub Street and the Ivory Tower
From Jenny Uglow's chapter on the journalistic world of Henry Fielding to Marjorie Perloff's praise for the impact of the Internet on poetry reviewing, Grub Street and the Ivory Tower gives lively case-histories of the commercial and institutional contexts of writing about writing, especially the vexed relationship between journalism and academe.
The Early History of Piccadilly, Leicester Square, Soho and their Neighbourhood
Originally published in 1925, this book gives the history of the Leicester Square, Piccadilly and Soho areas of London. The first part documents the history of the land before houses were built, and the circumstances under which the Plan of 1585 was created, and the second part details the development of the areas over the next few centuries. This book will be of value to anyone with an interest in cartography or the history of London.
Samuel Beckett
Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.
Builders of My Soul
To Yeats, as well as to Eliot, Pound, Joyce, and other major writers, as Erich Auerbach put it in Mimesis, "Antiquity means liberation and a broadening of horizons, not in any sense a new limitation or servitude." That is why Greco-Roman themes can be endlessly stimulating, why Yeats could call the Greek and Roman writers "the builders of my soul." Brian Arkin's thematic consideration of Yeat's subject matter under philosophy, myth, religion, history, literature, visual art, and Byzantium, allows us to see coherently how Yeats exploited this material and how, especially in his middle and later periods, he transformed and metamorphosed subject matter from Homer, Phidias, Plato, Plotinus, and Sophocles, and from the myths of Dionysus, Helen of Troy, Leda, and Zeus, to exemplify his central preoccupations. Irish Literary Studies Series No. 32.
Irish Writing in the Twentieth Century
With five Nobel Prize-winners, seven Pulitzer Prize-winners and two Booker Prize-winning novelists, modern Irish writing has contributed something special and permanent to our understanding of the twentieth century. Irish Writing in the Twentieth Century provides a useful, comprehensive and pleasurable introduction to modern Irish literature in a single volume. Organized chronologically by decade, this anthology provides the reader with a unique sense of the development and richness of Irish writing and of the society it reflected. It embraces all forms of writing, not only the major forms of drama, fiction and verse, but such material as travel writing, personal memoirs, journalism, intervi...
A Bookman's Catalogue Vol. 2 M-End
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
In the Chair
All of the poets interviewed in this collection are from Northern Ireland, all were born after 1920, and each has published at least one volume of poetry. Arranged chronologically by each poet's date of birth, this collection deals with an impressive body of work. The poets include Seamus Heaney, Paul Muldoon, Michael Longley, John Montague, Derek Mahon, Ciaran Carson, as well as less-known voices, including Gerald Dawe, Roy McFadden, and Conor O'Callaghan. The interviews explore the poet's work and development, the social/historical context, and the impact of assimilated influences. If they explore a poetry often rooted in "the North," they also suggest the individuality and diversity of this poetry, of work whose imaginative range is not circumscribed by either literal borders or critically convenient categories. The other poets included are: James Simmons, Tom Paulin, Frank Orsmby, Medbh McGuckian, Robert Greacen, Cathal P Searcaigh, Colette Bryce, Moyra Donaldson, Jean Bleakney, Martin Mooney, Padraic Fiacc, and Cherry Smyth.
