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Cedric Nunn
The South African photographer Cedric Nunn began working professionally as a photographer when he was twenty-five. It was 1983 and South Africa was entering one of the darkest periods in its history. Nunn had joined the agency and collective Afrapix, determined to make images about life in South Africa that he was not seeing in the media. Almost thirty years later, Nunn is firmly established as one of South Africa's most important photographers. His work has ranged widely across the South African physical and political landscape and he has photographed rallies, funerals, and, in the early 1990s, the momentous political events surrounding Nelson Mandela's release from prison -- page 4 of cover.
A Bigger Picture
This manual has been developed for the majority of practsing photographers and photojournalists in Southern Africa.
Children and AIDS
Explains how children are affected by the virus called HIV, how one gets it and how to behave around someone who has it.
Imperial Debris
Imperial Debris redirects critical focus from ruins as evidence of the past to "ruination" as the processes through which imperial power occupies the present. Ann Laura Stoler's introduction is a manifesto, a compelling call for postcolonial studies to expand its analytical scope to address the toxic but less perceptible corrosions and violent accruals of colonial aftermaths, as well as their durable traces on the material environment and people's bodies and minds. In their provocative, tightly focused responses to Stoler, the contributors explore subjects as seemingly diverse as villages submerged during the building of a massive dam in southern India, Palestinian children taught to envisio...
Gaining Ground?
Gaining Ground? Rights and Property in South African Land Reform examines how land reform policy and practice in post-apartheid South Africa have been produced and contested. Set in the province of Mpumalanga, the book gives an ethnographic account of local initiatives and conflicts, showing how the poorest sectors of the landless have defied the South African state's attempts to privatize land holdings and create a new class of African farmers. They insist that the 'rights-based' rather than the 'market-driven' version of land reform should prevail and that land restitution was intended to benefit all Africans. However their attempts to gain land access often backfire. Despite state assurances that land reform would benefit all, illegal land selling and 'brokering' are pervasive, representing one of the only feasible routes to land access by the poor. This book shows how human rights lawyers, NGOs and the state, in interaction with local communities, have tried to square these symbolic and economic claims on land. Winner of the inaugural Elliott P. Skinner Book Award of the Association of Africanist Anthropology, 2008
Soweto Blues
Tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music.Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries.
uMama
Forty great South Africans celebrate their mothers and grandmothers. Leaders from the worlds of politics, business, music, sport, education and literature pay homage to the women who have influenced and inspired them to lead exceptional lives. Mac Maharaj remembers how his mother served everyone with unfailing courtesy and recognition of their dignity. Desmond Tutu hopes he can resemble his mother spiritually and emulate her generosity and kindness, while Pam Golding shares her mom?s good advice: ?Keep dancing and you?ll stay out of trouble!? Who was it that raised the likes of Sibongile Khumalo or Antjie Krog to extraordinary achievement? Or Nelson Mandela, Lukas Radebe, JM Coetzee, Helen Suzman, Pieter-Dirk Uys, Miriam Makeba, Elana Meyer, Ahmed Kathrada and many more? Much of the answer lies in these heart-warming tributes.
The Market Photo Workshop in South Africa and the 'Born Free' Generation
This study presents the history of the Market Photo Workshop (MPW) in Johannesburg and works produced by its new generation of photography students. Founded in 1989 by internationally renowned documentary photographer David Goldblatt, the MPW has reflected upon South African political struggles and sociocultural changes since its creation. Its foundation parallels a moment in time when photography was considered a ‘truth telling’ genre and an essential source of documents deployed against the apartheid regime. This book reflects on the evolution of the MPW in the post-apartheid era and explores how its new generation of students engages the photographic tradition of this institution and the revolutionary times that accompanied its creation to question their present moment. The book will be of interest to scholars working in art history, visual studies, photography, African studies, cultural studies and post-colonial studies.
Assuming Boycott
Boycott and divestment are essential tools for activists around the globe. Today’s organizers target museums, universities, corporations, and governments to curtail unethical sources of profit, discriminatory practices, or human rights violations. They leverage cultural production – and challenge its institutional supports – helping transform situations in the name of social justice. The refusal to participate in an oppressive system has long been one of the most powerful weapons in the organizer’s arsenal. Since the days of the 19th century Irish land wars, when Irish tenant farmers defied the actions of Captain Charles Boycott and English landlords, “boycott” has been a method ...
