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This publication documents a year in the life of the Architectural Association School of Architecture. The book includes 199 full-colour pages featuring 744 illustrations of student work and school events alongside 45 texts by AA teaching staff, providing an overview of the many projects, presentations, worldwide study trips, visiting lectures, conferences, exhibitions, AA publications and other special events that took place during 2005/06. The DVD feaures more than 4,100 images, 80 videos and 40,000words of text presenting the work of more than 500 students who joined us from more than 60 home countries, making the AA the world's most international school of architecture.
Published at the end of every academic year, AA Projects Review embodies the spirit and priorities of London's acclaimed Architectural Association. Each unit, from foundation level to the graduate school, makes its own selection of the best student work produced during the year. Noted Dutch graphic designer Irma Boom's layout gives coherence to this extremely diverse body of work. Read by students and architects alike as an indicator of the latest trends, experimental projects, and theoretical concerns, AA Projects Review is a unique record of the activities of one of the world's most vital schools of architecture.
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Der Tagungsband versammelt Beiträge des 3. Forums Architekturwissenschaft zum Thema der historischen und gegenwärtigen Architekturausbildung – vom Baumeister zum Master –, das vom 25. bis 27. November 2016 an der Freien Universität Berlin in Kooperation mit der Brandenburgischen Technischen Universität Cottbus-Senftenberg stattfand. Die Aufsätze verhandeln Fallbeispiele der Architekturlehre vom 19. bis ins 21. Jahrhundert entlang von konstant bedenkenswerten Querschnittsfragen – wie jene nach Akteursperspektiven, nach Lehrformatem oder auch Institutionenpolitiken. Dabei werden Geschichte, Gegenwart und Zukunft der besonderen Ausbildungsdisziplin Architektur in einen Austausch gebr...
Introduction by James Fenton Illustrated with 102 full-colour photographs, this sumptuous book presents a fascinating peek inside the living rooms of New York's rich and famous. The effect is satisfyingly voyeuristic and the stillness of the living rooms without their inhabitants is both unsettling and thrilling. Among the 70 living rooms featured are those of Elle McPherson, Barbara Taylor Bradford, Louise Bourgeois, Nan Goldin, Norman Mailer, Susan Sontag, Philip Glass, Arthur Schlesinger Jr, Ed Koch, Quentin Crisp and the Rev Al Sharpton.
Architecture is increasingly understood as a field of practice that is inextricably embedded in ecologies and energy systems, and yet embodied energy-the various forms of energy required to ex- tract raw matter, to produce and transport building materials, and to assemble a given building- remains largely under-explored in its ramifications for both design and environment. As operational energy has declined as a proportion of buildings' total energy consumption, embodied energy has become an essential site for further speculation and innovation. 'Embodied Energy and Design: Making Architecture between Metrics and Narratives' asks questions about the varying scales, methods of analysis, and opportunities through which we might reconsider the making of architecture in the context of global flows of energy and resources. 120 illustrations
How will the human body, collective and individual, cope with the estimated increases in global air temperatures and in the earth's corresponding thermal stress? Atmosphere Anatomies: On Design, Weather, and Sensation offers an in-depth examination of design strategies that situate the body and its bioclimatic milieu at the core of their spatial formation. Drawing upon ten paradigmatic projects in urban design and landscape architecture - from Rousham Gardens, Oxfordshire, to the city of Chandigarh in India - the book investigates the designers' bioclimatic aims and their spatial outcomes. Woven throughout the book, the evocative photographic essays of Iwan Baan showcase the selected projects as inhabited spaces for everyday life.
What do outer space capsules, submarines, and office buildings have in common? Each is conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy. Contemporary discussions about global warming, recycling, and sustainability have emerged as direct conceptual constructs related to the study and analysis of closed systems. From the space program to countercultural architectural groups experimenting with autonomous living, this publication documents a disciplinary transformation and the rise of a new environmental consensus in the form of a synthetic naturalism. It presents an archive of 39 historical living prototypes from 1928 to the present that put forth an unexplored genealogy of closed resource regeneration systems. Prototypes are presented through unique discursive narratives with historical images, and each includes new analysis in the form of a feedback drawing that problematizes the language of environmental representation by illustrating loss, derailment, and the production of new substances and atmospheres.
FIRST ENGLISH-LANGUAGE PUBLICATION OF PETER EISENMAN’S 1963 DISSERTATION