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A provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twent...
Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his c...
In both these respects, Peter Eisenman differs not only from other architechts of his own generation, but from nearly all other architects working today.
Peter Eisenman discusses with architects and philosophers: Jörg H. Gleiter (Germany), Kim Förster (Switzerland), Preston Scott Cohen (USA), Emmanuel Petit (USA), Mario Carpo (USA), Sarah M. Whiting (USA), Manuel Orazi (Italy), John McMorrough (USA), Gabriele Mastrigli (Italy), Panayotis Pangalos (Greece), Cynthia Davidson (USA), Ingeborg M. Rocker (USA), Alejandro Zaera-Polo (USA), Djordje Stojanović (Serbia), Greg Lynn (USA) performing on the stage for two days in Belgrade. Through the structure of the monograph, the book represents a dynamic approach to the development of contemporary architectural thought. The dialogue between architects and philosophers with different social and cultural roots creates new agreements and reflections.
FIRST ENGLISH-LANGUAGE PUBLICATION OF PETER EISENMAN’S 1963 DISSERTATION
Impregnated with "culture" in the broadest sense, the works of Peter Eisenman reflect many years of important study on the meaning and sense of design. Architecture understood as History, as Philosophy, as Art, as Mathematics, as Literature, Architecture understood - as it should be that is - as a strict discipline that aims to recover its operational fields, defining with precision its limits and the potential for a profession that must constantly face destabilising visual and technological systems. Within history and yet outside it so that it can continue, within Tradition yet outside of tradition in order to avoid becoming sterile, the architecture of Peter Eisenman does not aim to consol...
Essays and detailed descriptions are built along a central axis tracing Eisenman's career. Project profiles are organized according to their "generating motif": the interiority of architecture, or projects generated by the internal forces of shapes and forms; and the exteriority of architecture, projects governed by external forces such as site and scientific process.
A presentation of writings by and about Peter Eisenman, arguably the most significant architect working today. The book analyzes the whole spectrum of subjects covered in the architect/philosopher's oeuvre. Seminal texts are included that show how his theories have developed over time.
Featuring more than 300 new analytic drawings and models, this study explores the evolution of Palladio's villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape.