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French Perspectives on Media, Participation and Audiences
This book provides a theoretical assessment of audience research issues. A host of contributions from French-speaking scholars question and analyse the participatory turn in media and communication research that has emerged over the last 15 years. This collection brings together high-quality theoretical and empirical contributions in order to promote scientific discussions and debates between English- and French-speaking academics. Ségur contextualizes the paradigmatic evolution of media communication, explaining how participation has become an imperative in media devices. In the first section authors explore, often critically, types of participatory media formats such as radio, television, and the internet. In the second section, authors focus on the participatory performances of audiences in public media spaces. Analysis is made of online forums, the phenomenon of lurking, and of urban spaces. This book provides viewpoints from a range of disciplines including social anthropology, information and communication sciences, and media studies.
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At a time when Côte d’Ivoire was experiencing a military-political crisis and was split in two (2002), the Coupé-Décalé appeared as a real innovation in the Ivorian musical universe. It caused a “sensation” with cultural practices, a dress code, choreographic concepts and musical forms that were atypical of the time. While pre-existing genres, such as Reggae, Hip Hop and Zuglou, are positioned as “committed” music, Coupé-Décalé, on the other hand, is in a completely different register: that of bringing joy, setting the mood, forgetting the sad reality of this difficult period. Nearly two decades later, the Coupé-Décalé continues to enjoy great popularity among a community...
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
Les Sciences de l'information et de la communication (SIC) en IUT - 35 fiches
En France, les SIC sont enseignées dans toutes les spécialités des IUT. Ce manuel a pour objectif d’accompagner les étudiants dans la construction de leur parcours universitaire, personnel et professionnel, en les invitant à réfléchir à l’importance que revêt le couple information et communication tout au long de leur formation. Cet ouvrage s’adresse également à tous les enseignants et intervenants professionnels soucieux d’intégrer des notions propres aux SIC dans leurs pratiques pédagogiques. Théories de l’information et de la communication, Médias, Communication interpersonnelle et médiation, Communication organisationnelle, Information-documentation, Culture numérique, Culture visuelle et audiovisuelle : 7 domaines essentiels en SIC abordés à travers 35 fiches synthétiques. Ouvrage incontournable pour les IUT : chaque fiche thématique pose une problématique, présente les auteurs, théories, méthodes et notions clés en SIC ; donne des exemples significatifs, des références bibliographiques pour mieux comprendre et approfondir les questions soulevées.
H2PTM’21
Depuis sa création en 1989 par Roger Laufer, Jean-Pierre Balpe et Imad Saleh, la conférence internationale H2PTM, organisée tous les deux ans, arrive à sa 16e édition. Elle poursuit la valorisation des recherches sur les hypertextes et les hypermédias dont les applications se concrétisent de plus en plus dans les sciences humaines et sociales. H2PTM’21 – Information : enjeux et nouveaux défis se focalise sur le traitement de l’information afin d’enrichir les débats dans le champ des sciences de l’information et de la communication et d’ouvrir cette problématique à d’autres disciplines. Au coeur des débats médiatiques et des enjeux sociétaux, cet ouvrage apporte des pistes de réflexion indispensables aux questions actuelles d’information et de désinformation numériques.
Television Audiences Across the World
This book is the first to deal with the world composition of television ratings. It focuses on the peoplemeter, a 25 year old technology which succeeds in homogenizing very different populations and television practices. It provides a fascinating account of the production of figures on which the whole world of popular culture depends.
French Perspectives on Media, Participation and Audiences
This book provides a theoretical assessment of audience research issues. A host of contributions from French-speaking scholars question and analyse the participatory turn in media and communication research that has emerged over the last 15 years. This collection brings together high-quality theoretical and empirical contributions in order to promote scientific discussions and debates between English- and French-speaking academics. Ségur contextualizes the paradigmatic evolution of media communication, explaining how participation has become an imperative in media devices. In the first section authors explore, often critically, types of participatory media formats such as radio, television, and the internet. In the second section, authors focus on the participatory performances of audiences in public media spaces. Analysis is made of online forums, the phenomenon of lurking, and of urban spaces. This book provides viewpoints from a range of disciplines including social anthropology, information and communication sciences, and media studies.
Television Publics in South Asia
Television has a prime role to play in the formation of discursive domains in the everyday life of South Asian publics. This book explores various television media practices, social processes, mediated political experiences and everyday cultural compositions from Bangladesh, India, Nepal, Pakistan and Sri Lanka. With the help of country-specific case studies, it captures a broad range of themes which foreground the publics and their real-life experiences of television in the region. The chapters in this book discuss gendered television spaces, women seeking solace from television in pandemic, the taboo in digital TV dramas, television viewership and localizing publics, changing viewership from television to OTT, news and public perception of death, redefining ‘the national’, theatrical television and post-truth television news, among other key issues. Rich in ethnographic case studies, this volume will be a useful resource for scholars and researchers of media and communication studies, journalism, digital media, South Asian studies, cultural studies, sociology and social anthropology.
A Companion to Media Fandom and Fan Studies
A Companion to Media Fandom and Fan Studies offers scholars and fans an accessible and engaging resource for understanding the rapidly expanding field of fan studies. International in scope and written by a team that includes many major scholars, this volume features over thirty especially-commissioned essays on a variety of topics, which together provide an unparalleled overview of this fast-growing field. Separated into five sections—Histories, Genealogies, Methodologies; Fan Practices; Fandom and Cultural Studies; Digital Fandom; and The Future of Fan Studies—the book synthesizes literature surrounding important theories, debates, and issues within the field of fan studies. It also traces and explains the social, historical, political, commercial, ethical, and creative dimensions of fandom and fan studies. Exploring both the historical and the contemporary fan situation, the volume presents fandom and fan studies as models of 21st century production and consumption, and identifies the emergent trends in this unique field of study.
