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Includes entries for maps and atlases.
Foreword by Paul Ha. Edited by Ivy Cooper. Text by Katie Holten, Shannon Fitzgerald, James Trainor, Elizabeth Kolbert, James Kunstler, A. M. Homes.
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This journey through the American suburban imagination--by Pennsylvania-born Amy O'Neill, who currently lives and works in New York--reveals the uncanny that lies just beneath the banal. O'Neill's work is situated between the past and present, vernacular and global, high and low cultures. Her sculptures, installations and drawings trade in recycled bits of Americana like bald eagles, carnival midway games and basement rec rooms. As critic Gregory Williams writes, O'Neill's work looks back, "nostalgically to those sites in the American cultural landscape that leave a deep-fried residue on one's childhood memories." A recent installation, "Forest Park Forest Zoo" (2007), memorializes an abandoned roadside petting zoo that O'Neill found off a country road in the midst of a Gallitzin, Pennsylvania, forest. This first monograph includes a text by artist and writer John Miller.
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Ann Hamilton: An Inventory of Objects ISBN 0-9743648-5-1 / 978-0-9743648-5-8 Hardcover, 7 x 10.5 in. / 264 pgs / 150 color and 80 b&w. / U.S. $60.00 CDN $72.00 November / Art
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
Architecture and freehand drawing are inextricably linked. Even in the Gothic period, the principle applied: what you can't build, you at least draw. The same applies to the sketches of Wolf dPrix, co-founder and CEO of Coop Himmelb(l)au. Over the 53 years of their creation, Prix’s sketches formed the first stage of every design – despite rapid developments in digital architecture. Whereas his freehand drawings were proxies for completed projects in the 1960s and 1970s, today they serve as strategic guides to the firm’s complex buildings. From 2,800 archival drawings, 1,300 examples were selected for publication to represent developmental dynamics in an archive-like format. As invaluable documents of architectural history, they illustrate some 320 selected projects.