Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Havana Project
The city of Havana represents a real challenge to contemporary architects. Havana has a rich and diverse heritage with its cultural roots in Andalusia, Africa, the Caribbean, the United States and Soviet Russia, yet many of its historic (16th-19th century) buildings are in need of conservation and restoration. It has slums and a great need for housing, urban infrastructure (sewerage system, transportation), and it must cater for its growing tourist industry. In 1982, Havana was designated a Monument of World Heritage by UNESCO. In 1992, a team of international architects met in Vienna for a small, visionary conference to discuss the future of architecture. The influential findings of this co...
Formless Furniture
In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material," however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of Vienna's MAK museum of applied and contemporary art, this volume is the first to concentrate on formlessness in furniture design. Featuring work from the 1960s through today by such revolutionary figures as Frank Gehry, Gaetano Pesce, Ron Arad and Karim Rashid, it illuminates connections between the historical avant-garde and the applied arts, and tracks the various manifestations of design formlessness to have emerged over the past half century--from Robert Dean's 1967 Sea Urchin chair to today's computer-assisted "blobjects.""
Dagobert Peche and the Wiener Werkstätte
"With contributions by Hanna Egger, Gabriele Fabiankowitsch, Rainald Franz, Waltraud Neuwirth and Nina Claudia Trauth, Sabine Plakolm-Forsthuber, Ernst Ploil, Anne-Katrin Rossberg, August Ruhs, Nikolaus Schaffer, Elisabeth Schmuttermeier, Nancy J. Troy, Angela Volker, and Christian Witt-Doring." "Dagobert Peche (1887-1923) was one of the key figures of the Austrian arts and crafts movement. Along with Josef Hoffmann and Koloman Moser, Peche determined the character of the Wiener Werkstatte with his designs. Hoffmann, who first hired Peche as his assistant but was later strongly influenced by him, wrote after Peche's death in 1923: "Dagobert Peche was Austria's greatest genius in ornamentatio...
Urban Future Manifestos
... "Calls upon leading creative thinkers to address urgent questions about the future of the contemporary city. Contributing architects, artists, designers, and urban scholars from around the globe consider the city from a variety of positions and posit their unique and inspiring visions"--Page 4 of cover.
Yearning for Beauty
Edited by Peter Noever, Etienne Davignon, Paul Dujardin and Anne Mommens. Essays by Val rie Dufour, Anette Freytag, Siegfried Mattl, Paulus Raine and Eduard F. Sekler, and conversations with Marc Hotermans and Heimo Zobernig.
Josef Hoffmann
As a co-founder of the Secession, the Wiener Werkstätte and the Österreichischer Werkbund, Josef Hoffmann (1870-1956) had a decisive influence on modern Viennese architecture and design. Around 1948, Hoffmann wrote this autobiography, tracing his life and career from his childhood to the founding of the Secession.
Yves Klein
Among his many captivating exploits, the French artist Yves Klein (1928-1962) invented his own brand of color: the inimitable International Klein Blue. Denounced as a charlatan and feted as a mystic, Klein scandalized the art world with his enthusiastic embrace of the highs and lows of postwar mass culture and his exploitation of controversial publicity tactics. Today it is clear that Klein was not only one of the most radical artists of the postwar period but was also an iconic role model for contemporary practices: he reinvented abstract painting, conceived new horizons for performance art, and was a trailblazer in the interdisciplinary realm of land, body, and conceptual art. Nuit Banai e...
After One Hundred Years
The exhibition "Meisterwerke muhammedanischer Kunst" that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art “a place equal to that of other cultural periods”. This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition’s historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
