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Sceptres and Sciences argues convincingly that previous research on the Hispanic Late Baroque has underweighted the ideologies of ethnicity and empire embedded in Cartesianism and French neoclassicism. "... a masterful work of scholarship... should become essential reading in the field of Colonial and Spanish Enlightenment Studies."—Bulletin of Hispanic Studies
Besides an Introduction, Bibliography and "Centenary Reappraisal", eighteen original articles by respected Hispanists from Britain, Spain and the United States have been collected in this homage volume. A high proportion of articles reflect Peers’ major interests in mysticism and the Romantic Movement. Part I, From the Middle Ages to the Siglo de Oro, includes essays that deal with Francisco de Osuna’s "higher memory", the "Dark Night" of San Juan de la Cruz, Judaeo-Islamic traditions in Luis de León and Miguel de Molinos’ Spiritual Guide. Part II, From the Dawn of Romanticism to the Twentieth Century, contains articles concerned with writers, works or themes as: Sánchez’s Colección and Percy’s Reliques, Rivas and tragedy, El moro expósito, Gustavo Adolfo Bécquer, Victor Hugo and "La Nonne sanglante". An article, dealing comparatively with Goytisolo and Zorrilla, which provides "A Missing Link in the Dis-affiliation of a Post-Romantic Expatriate in Revolt?" aptly concludes the volume.
Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracián, Quevedo, Calderón, Saavedra Fajardo, López de Vega, and Sor Juana. Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various ‘arts of perception’ - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such ‘arts of perception...
Liverpool Pals, is a record of duty, courage and endeavour of a group of men who, before war broke out in 1914, were the backbone of Liverpool's commerce. Fired with patriotism, over 4,000 of these businessmen volunteered in 1914 and were formed into the 17th, 18th, 19th and 20th (Service) Battalions of the King's (Liverpool Regiment); they were the first of all the Pals battalions to be raised, and they were the last to be stood down. It is commonly held that the North of England's Pals battalions were wiped out on the 1st July, 1916, certainly this befell a number of units, but the Liverpool Pals took all their objectives on that day. From then on they fought all through the Somme Battle, The Battle of Arras and the muddy hell of Passchendaele in 1917, and the desperate defence against the German offensive of March 1918.
In every country across Europe, at some point or other during the last five hundred years, cheap printed materials were the staple diet of ordinary people, providing a rich array of entertainment, education, and information. They came in various forms, but were usually variations on the theme of single sheets or simple booklets, and they were carried far and wide in pedlars’ packs and sold in the streets, at fairs and markets and wherever crowds gathered, as well as in backstreet shops. Their content was as broad as can be imagined: news and scandal, crimes and last-dying confessions of murderers, divinations, instructional works, wonder stories, miracles, folktales and legends, love stori...
Published in memory of Ivy L. McClelland, a pioneer-scholar of Spain’s eighteenth century, this volume of original essays contains, besides an Introduction to her career and internationally influential writings, three previously unpublished essays by McClelland and nine studies by other scholars, all of which are focused on elucidating the Enlightenment and its characteristic manifestations in the Hispanic world. Among the Enlightenment writers and artists, works and genres, themes and issues discussed, are: Nicolás Moratín and epic poetry, Lillo’s The London Merchant and English and French influences on eighteenth-century Spanish drama, José Marchena and literary historiography, oppo...
This is the account of the social and spiritual difficulties of an aspirant nun in Mexico at the end of the seventeenth century. In an extensive introduction, Myers discusses the chronology and provenance of Madre Maria’s manuscript and gives biographical details of her life; surveys literary aspects of the text; and seeks to show the socio-historical value of the striking scenes of family life which the text offers. Notes and guidance are given on style, orthography and pronunciation; and a bibliographical essay complements a selected bibliography.
E. Allison Peers was Professor of Spanish in the University of Liverpool from 1922 until 1952 and he achieved an international academic reputation for his work. In Britain, he also acquired fame as "Bruce Truscot", the provocative analyst of the newer "civic" universities in a series of books published in the 1940s; to describe these universities, Peers coined the term "redbrick university", now part of the language of British higher education. This book presents, with an analytical introduction, commentary and extensive notes, the autobiographies of Peers and of "Truscot". The first is a straightforward account of the author’s early life; the second is a creatively disguised version of the same events presented as the memoirs of "Bruce Truscot", Professor of Poetry at Redbrick University, written stylishly and with humor. This autobiographical "roman à clef" will entertain and interest readers of the earlier "Redbrick" books. Based on direct observation and experience, the documents presented here provide evidence of the shifting attitudes and changed conditions which influenced British universities during their critical period of development between the two world wars.
Juan Goytisolo is arguably Spain’s foremost contemporary novelist. This book is one of the few major studies in English to examine all of his mature works, from Señas de identidad in 1966 to Las semanas del jardín, published in 1997. It focuses on the interface between the thematic content of the novels and its formal expression, viewing this as the crucial nexus of their meaning. Goytisolo’s writing is, in his own words, a "commitment of myself ... for a transformation of the world". The Poetics of Contagion dissects the nature of the relationship between writer and reader to show how Goytisolo’s political commitment is reflected in his work.
This volume commemorates the quatercentenary of Don Quijote (Part I, 1604-05), widely acknowledged to be the 'first modern novel'. Through Don Quijote, his Exemplary Novels and other major works, Cervantes, Spain's master novelist, has for centuries shaped and profoundly influenced the different literatures and cultures of numerous countries throughout the world. Containing chapters written in both English and Spanish by leading scholars worldwide, this book deals with topics as fundamental and diverse as contested discourses in Don Quijote, psychology and comic characters in Golden-Age literature, the title of Cervantes' master novel, and Cervantes, Shakespeare and the birth of metatheatre. A special issue of the journal Bulletin of Spanish Studies.