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Presents a comprehensive history of Central America, including the early pre-Columbian cultures and economic challenges currently being faced.
This is the first biography of Latin America's most important poet. the Peruvian César Vallejo. It traces the important events of his life and evaluates his poetry, fiction, theatre, political essays and journalism. This is the first biography of Latin America's most important poet, the Peruvian César Vallejo, who was born in an Andean village, Santiago de Chuco, on 16 March 1892 and died in Paris on 15 April 1938. It traces the important events of his life - becoming a poet in Peru, falling in love with Mirtho in Trujillo, writing Trilce which would transform for ever the avant-garde in the Spanish-speaking world, fleeing to Paris in the summer of 1923 afterbeing accused of burning down C...
This book provides an authoritative history of the Brazilian army from the armys overthrow of the monarchy in 1889 to its support of the coup that established Brazils first civilian dictatorship in 1937. The period between these two events laid the political foundations of modern Brazila period in which the army served as the core institution of an expanding and modernizing Brazilian state. The book is based on detailed research in Brazilian, British, American, and French archives, and on numerous interviews with surviving military and civilian leaders. It also makes extensive use of hitherto unused internal army documents, as well as of private correspondence and diaries. It is thus able to shed new light on the armys personnel and ethos, on its ties with civilian elites, on the consequences of military professionalization, and on how the army reinvented itself after the collapse of its command structure in the crisis of 1930a reinvention that allowed the army to become the backbone of the post-1937 dictatorship of Getulio Vargas.
The topics covered by this pioneering collection of essays range from peninsular Spanish to Latin American literature, from the eleventh to the twentieth centuries, and from the subject of women as portrayed in Hispanic literature to the literature of Hispanic women writers. Some pieces present polemical feminist arguments, other are more traditional. All the contributors use their subject to take new stands on old controversies, ask new questions, and reevaluate important aspects of Hispanic literature. While there is ample evidence in these essays of the dual archetype in Hispanic literature of women as icon and woman as fallen idol, the collection reaches beyond these stereotypes to more ...
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
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