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Oral History: An Interdisciplinary Anthology is a collection of classic articles by some of the best known proponents of oral history, demonstrating the basics of oral history, while also acting as a guidebook for how to use it in research. Added to this new edition is insight into how oral history is practiced on an international scale, making this book an indispensable resource for scholars of history and social sciences, as well as those interested in oral history on the avocational level. This volume is a reprint of the 1984 edition, with the added bonus of a new introduction by David Dunaway and a new section on how oral history is practiced on an international scale. Selections from the original volume trace the origins of oral history in the United States, provide insights on methodology and interpretation, and review the various approaches to oral history used by folklorists, historians, anthropologists, and librarians, among others. Family and ethnic historians will find chapters addressing the applications of oral history in those fields.
Dance, Human Rights, and Social Justice: Dignity in Motion presents a wide-ranging compilation of essays, spanning more than 15 countries. Organized in four parts, the articles examine the regulation and exploitation of dancers and dance activity by government and authoritative groups, including abusive treatment of dancers within the dance profession; choreography involving human rights as a central theme; the engagement of dance as a means of healing victims of human rights abuses; and national and local social/political movements in which dance plays a powerful role in helping people fight oppression. These groundbreaking papers--both detailed scholarship and riveting personal accounts--encompass a broad spectrum of issues, from slavery and the Holocaust to the Bosnian and Rwandan genocides to the Israeli-Palestinian conflict; from First Amendment cases and the AIDS epidemic to discrimination resulting from age, gender, race, and disability. A range of academics, choreographers, dancers, and dance/movement therapists draw connections between refugee camp, courtroom, theater, rehearsal studio, and university classroom.
New interpretations of different aspects of troubadour texts and lyrics, from their main themes and motifs to their reception and influence. Nearly a millennium after their songs of love, politics, war, satire, and redemption began to fill the courts of Europe, the troubadours continue to fascinate modern audiences. However, many aspects of their work, such as the supposedly adulterous nature of fin'amor, the "Frenchness" of the troubadours, the biographical veracity of the vidas, and the inherent misogyny of the troubadour lyric, have long been taken for granted. This volume takes a fresh look at these ideas, questioning many of the formative assumptions of troubadour scholarship, and propo...
In virtually all corners of the Western world, 1968 witnessed a highly unusual sequence of popular rebellions. In Italy, France, Spain, Vietnam, the United States, West Germany, Czechoslovakia, Mexico, and elsewhere, millions of individuals took matters into their own hands to counter imperialism, capitalism, autocracy, bureaucracy, and all forms of hierarchical thinking. Recent reinterpretations have sought to play down any real challenge to the socio-political status quo in these events, but Gerd-Rainer Horn's book offers a spirited counterblast. 1968, he argues, opened up the possibility that economic and political elites on both sides of the Iron Curtain could be toppled from their posit...
The books that give us insight into human motives and experience often are based on fieldwork: people spending time with others where those others live and work. In the World Observed sixteen researchers tell how their fieldwork experiences have been transmuted into understanding. The settings range from a women's prison in Indiana to a village in Egypt, from a streetcorner in Palermo to a gypsy funeral in New York. The authors - anthropologists, folklorists, sociologists, historians - relate their struggles to find meaning in the chaos of data and the ethical problems they had to confront and resolve. Their fascinating stories offer fresh insight into how we know what we know.
Decolonising the Mediterranean means, first and foremost, investigating how the legacy of colonial rule over bodies and land has been used by other entities and powers to impose new forms of hegemony after the fall of empires and European powers. It means denouncing and dissecting the tools employed in the production of new geometries of power in the global Mediterranean, as well as in the farthest, most recondite corners of the Mediterranean World. Decolonising the Mediterranean is an epistemological practice of border dismantling and scrutiny of the ways in which powers overlap and intertwine. The multiplication of the border is investigated in this volume from an in-between position, name...
This book brings together contributions from anthropologists and folklorists on werewolf legends from all over Europe. Ranging from broad overviews to specific case studies, their chapters highlight the similarities and differences between werewolf narratives in different areas and attempt to explain them. The result of interaction between elite and popular culture, local and external influences, and nature and culture that lasted several centuries or even more, nineteenth- to twenty-first-century werewolf legends represent a kaleidoscope of the darker sides of human life.
During the 1960s and 1970s, Workerism and Autonomia were prominent Marxist currents. However, it is rarely acknowledged that these movements inspired many visual artists such as the members of Archizoom, Gordon Matta-Clark and Gianfranco Baruchello. This book focuses on the aesthetic and cultural discourse developed by three generations of militants (including Mario Tronti, Antonio Negri, Bifo and Silvia Federici), and how it was appropriated by artists, architects, graphic designers and architectural historians such as Manfredo Tafuri. Images of Class signposts key moments of this dialogue, ranging from the drawings published on classe operaia to Potere Operaio's exhibition in Paris, the Metropolitan Indians' zines, a feminist art collective who adhered to the Wages for Housework Campaign, and the N group's experiments with Gestalt theory. Featuring more than 140 images of artworks, many published here for the first time, this volume provides an original perspective on post-war Italian culture and new insights into some of the most influential Marxist movements of the twentieth and twenty-first centuries worldwide.
Questo libro racconta molto brevemente in Italiano, Inglese, Spagnolo, Portoghese, Francese e Tedesco l'origine della famosa canzone "Bella Ciao" che è diventata famosa in tutto il Mondo con annesso il testo della canzone e lo spartito. Este livro fala muito brevemente em italiano, inglês, espanhol, português, francês e alemão a origem da famosa canção "Bella Ciao", que se tornou famosa em todo o mundo com o texto da música e a partitura anexa. Este libro cuenta brevemente en italiano, inglés, español, portugués, francés y alemán el origen de la famosa canción "Bella Ciao", que se ha hecho famosa en todo el mundo con el texto de la canción y la partitura adjunta. This book tel...
A New Statesman Book of the Year Winner of the Helen and Howard R. Marraro Prize Winner of the Aldo and Jeanne Scaglione Prize for Italian Studies “Extraordinary...I could not put it down.” —Margaret MacMillan “Reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.” —Sonia Purnell, author of A Woman of No Importance When Attilio Teruzzi, a decorated military officer and early convert to the Fascist cause, married a rising American opera star, his good fortune seemed settled. The wedding was blessed by Mussolini himself. Yet only three years later, Teruzzi...