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It's Fun to Be a Person I Don't Know
At first glance a reader might mistake It’s Fun to Be a Person I Don’t Know for a juicy Hollywood tell-all, given Chachi D. Hauser’s background as the great-granddaughter of Roy Disney, a cofounder with his brother Walt of the Walt Disney Company. And to her credit, Hauser doesn’t shy away from confronting painful family memories when considering how the stories, myths, and rumors surrounding this entertainment empire have influenced her own imagination. But family history is only one strand in this intricate and variegated weave that also interlaces the social and environmental history of Hauser’s adopted hometown of New Orleans, intimate reflections on love and navigating open relationships, and a searing self-examination that reveals a gender fluidity chafing against social barriers. Hauser’s innovative and multifaceted narrative navigates a variety of terrains, seeking truth as its final destination. While the family company excels in fantasy, Hauser’s story is that of a young documentary filmmaker determined to train a sharply focused lens on the reality of her lived experiences.
Shift
"A collection of memories throughout Penny Guisinger's life recounting her story of sexuality, love, and marriage"--
Homing
Homing: Instincts of a Rustbelt Feminist traces the creative coming of age of a mill-town feminist. Sherrie Flick, whose childhood spanned the 1970s rise and 1980s collapse of the steel industry, returned to Pittsburgh in the late 1990s, witnessing the region’s before and its after. With essays braiding, unbraiding, and then tangling the story of the author’s father with Andy Warhol, faith, dialect, labor, whiskey, Pittsburgh’s South Side Slopes neighborhood, grief, gardening, the author’s compulsion to travel, and her reluctance to return home, Flick examines how place shaped her experiences of sexism and feminism. She also looks at the changing food and art cultures and the unique geography that has historically kept this weird hilly place isolated from trendy change. Carefully researched, deeply personal, and politically grounded in place and identity, Homing is an explicitly feminist and anti-nostalgic intervention in writing about the Rustbelt.
Autumn Song
We all live lives littered with what we leave behind: places we once lived, friendships we once had, dreams we once envisioned, the people we once were. Each new day we attempt to find a way to continue living despite the absences we experience because of loss and disappointment, injustice and inequity, change and the passage of time. Autumn Song: Essays on Absence invites readers into one Black woman’s experiences encountering absences, seeing beyond the empty spaces, and grasping at the glimmers of glory that remain. In a world marred with brokenness, these glimmers speak to the possibility of grieving losses, healing heartache, and allowing ourselves to be changed.
It's Fun to be a Person I Don't Know
At first glance a reader might mistake It's Fun to Be a Person I Don't Know for a juicy Hollywood tell-all, given Chachi D. Hauser's background as the great-granddaughter of Roy Disney, a cofounder with his brother Walt of the Walt Disney Company. And to her credit, Hauser doesn't shy away from confronting painful family memories when considering how the stories, myths, and rumors surrounding this entertainment empire have influenced her own imagination. But family history is only one strand in this intricate and variegated weave that also interlaces the social and environmental history of Hauser's adopted hometown of New Orleans, intimate reflections on love and navigating open relationships, and a searing self-examination that reveals a gender fluidity chafing against social barriers. Hauser's innovative and multifaceted narrative navigates a variety of terrains, seeking truth as its final destination. While the family company excels in fantasy, Hauser's story is that of a young documentary filmmaker determined to train a sharply focused lens on the reality of her lived experiences.
'80s Action Movies on the Cheap
The 1980s was the decade when the action film as it's now known came into being. Nonstop, big-budget excitement became the standard as epic adventures like Raiders of the Lost Ark and The Road Warrior set the tone for the summer blockbusters of Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. Homages (and ripoffs) made with lesser budgets followed every hit, especially with the advent of direct-to-video releases. Providing detailed commentary on 284 films, this book explores the excitement, audacity and sheer weirdness of '80s low budget action cinema, from the American Ninja series to dime-a-dozen barbarian pictures to such bargain-basement productions as The Courier of Death, Kill Squad and Samurai Cop.
The Crane Wife
A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN "Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites." —The New York Times “Clever, heartfelt, and wrenchi...
Family of Origin
A novel by the author of the viral essay sensation "The Crane Wife": When Nolan Grey receives news that his father, a once-prominent biologist, has drowned off Leap's Island, he calls on Elsa, his estranged older half-sister, to help. This, despite the fact that it was he and Elsa who broke the family in the first place. Elsa and Nolan travel to their father's field station off the Gulf Coast, where a group called the Reversalists obsessively study the undowny bufflehead, a rare duck whose loss of waterproof feathers proves, they say, that evolution is running in reverse. On an island that is always looking backward, it's impossible for the siblings to ignore their past, and years of family secrecy threaten to ruin them all over again. Yet, despite themselves, the Greys urgently trek the island to find the so-called Paradise Duck, their father's final obsession, all the while grappling with questions of nature and nurture, intimacy and betrayal, progress and forgiveness.
Happy Days - A Musical (90 Minute Version)
Musical Characters: 10 male, 7 female, Cast can be expanded for large groups This abridged, 90-minute version, is perfect for school groups. Goodbye gray skies, hello blue! Happy days are here again with Richie, Potsie, Ralph Malph and the unforgettable "king of cool" Arthur "The Fonz" Fonzarelli. Based on the hit Paramount Pictures television series, Happy Days, A New Musical reintroduces one of America's best loved families, the Cunninghams -- yes, Howard,
Shadow Migration
With her feet firmly rooted on the plains of Nebraska, Suzanne Ohlmann launches the reader into flight over miles and decades of migration: from an apple-pie childhood in America's Fourth of July City to the dirt floors of a cowshed in rural India, we zigzag across time and geography to see the world through Ohlmann's eyes and to discover with her the pain she'd been avoiding through her boomerang travels away from her native home. Through incarnations as a musician, arts manager, and registered nurse, Ohlmann finally lands in Texas, buys a house, and gets a dog. But her house is haunted, and so is she. In the dark solitude of Ohlmann's basement the vision of a dead child presents her with a harrowing choice: she can go home to Nebraska and seek the truth of her biological past, or, like the boy, surrender to the depths of her own darkness. With honesty, compassion, and a sense of humor, Ohlmann recounts her tenacious search into the shadows of her life.
