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Charles Holme’s detailed record of his travels through Japan, including the homeward journey via the west coast of the US and Canada, is published here for the first time, together with all fifty plates from the original limited edition of his companion Emma Liberty’s Japan, A Pictorial Record, with commentaries. Both diary and photographs provide scholars and researchers with a rare archive. A key figure in Europe’s art world in the late nineteenth and early twentieth centuries, and founder of The Studio art magazine, Charles Holme was a significant disseminator of Japanese art and art goods in theWest and was a founding member of the Japan Society in London. Famously, he visited Japan in 1889 in the company of the painter Alfred East and Arthur Lasenby Liberty and his wife Emma, who was the ‘official’ photographer of the trip (taking more than a thousand photographs).
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There is no doubt that this sixth volume in the Japan Society’s highly regarded Britain and Japan series contains many ‘long overdue’ essays of leading personalities with links to Britain and Japan that will be welcomed by the researcher and general reader alike – from the opening essay on Churchill and Japan by Eiji Seki, to the concluding account by Rikki Kersten of the distinguished intellectual liberal Maruyama Masao’s close relationship with Richard Storry and Oxford in particular and his interests in Britain in general. Containing a total of thirty-three entries, thoughtfully and painstakingly compiled and edited by Hugh Cortazzi, there may well be a case for arguing that the...
This is the story of Rupert T. Gould (1890-1948), the polymath and horologist. A remarkable man, Lt Cmdr Gould made important contributions in an extraordinary range of subject areas throughout his relatively short and dramatically troubled life. From antique clocks to scientific mysteries, from typewriters to the first systematic study of the Loch Ness Monster, Gould studied and published on them all. With the title The Stargazer, Gould was an early broadcaster on the BBC's Children's Hour when, with his encyclopaedic knowledge, he became known as The Man Who Knew Everything. Not surprisingly, he was also part of that elite group on BBC radio who formed The Brains Trust, giving on-the-spot ...
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Volume I gives the first 580 letters, covering the period September 1901 to May 1913.
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