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Seven Faces
"Study of Brazilian poetry from 1950-90 examines its 'seven faces' (a pun on Drummond's poem of the same name), phases, and trends. Introductory chapter reviews movement's initial phases and sets the stage for what follows: the legacy of the Modernist movement. Chapters 2-6 cover Concrete poetry and other vanguard groups, the lyricism of popular music, and different types of 1970s youth poetry. Also examines social and esthetic tensions in contemporary Brazilian poetry"--Handbook of Latin American Studies, v. 58.
Brazil, Lyric, and the Americas
Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output - from song and visual poetry to discursive verse - across a range of media.
Chico Buarque's First Chico Buarque
Chico Buarque comprises a critical appreciation of the self-titled album (1978), which is one of the Brazilian artist's most representative. This vibrant collection displays the singer-songwriter's singular talents as a composer/poet of songs with both popular appeal and keen analytical skills. The 11 tracks include both up-beat sambas and lyrical compositions: witty tunes, dramatic laments, international items, and, especially, epochal protest songs with fascinating histories. The album embodies Chico Buarque's affective sensibilities and sociopolitical engagement, and this book situates the album in inter-related contexts: the artist's own career; the evolution of the current he represents MPB (Brazilian Popular Music); and, especially, historical conjuncture-the period of military dictatorship in Brazil, 1964-85.
Brazilian Popular Music and Globalization
This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
Masters of Contemporary Brazilian Song
A critical study of MPB (música popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.
Brazil, Lyric, and the Americas
"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."--Severino Joao Albuquerque, University of Wisconsin "Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."--Luiza Moreira, Binghamton University In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized wor...
Masters of Contemporary Brazilian Song
Masters of Contemporary Brazilian Song is a critical study of MPB (música popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.
MPB
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First World Third Class and Other Tales of the Global Mix
Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day urban Brazil. They are witty, consistently caustic, and never predictable. Also in this volume is the poignant and often hilarious novel First World Third Class. It depicts young middle-class professionals and artists who, as opportunities in Brazil ...
Charles V and the Castilian Assembly of the Clergy
The Castilian Assembly of the Clergy has been overlooked in the scholarship on church-state relations and representative institutions in the early modern period. This oversight has distorted our understanding of political practice, royal finance, and church-state relations in sixteenth-century Castile. By examining the negotiations for subsidies between the crown and the Assembly, this book illuminates the dynamics between church and state and the limits of royal control over the church, and it challenges long-held conventions about the monolithic structure of the Spanish church and its subservience to the crown. The negotiations for subsidies also demonstrate the importance of consensus in the political process and how the Assembly sustained itself and its privileges for centuries through collaboration with the crown.
