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The Voice of My Beloved
The Song of Songs, eight chapters of love lyrics found in the collection of wisdom literature attributed to Solomon, is the most enigmatic book of the Bible. For thousands of years Jews and Christians alike have preserved it in the canon of scripture and used it in liturgy. Exegetes saw it as a central text for allegorical interpretations, and so the Song of Songs has exerted an enormous influence on spirituality and mysticism in the Western tradition. In the Voice of My Beloved, E. Ann Matter focuses on the most fertile moment of Song of Songs interpretation: the Middle Ages. At least eighty Latin commentaries on the text survive from the period. In tracing the evolution of these commentaries, Matter reveals them to be a vehicle for expressing changing medieval ideas about the church, the relationship between body and soul, and human and divine love. She shows that the commentaries constitute a well-defined genre of medieval Latin literature. And in discussing the exegesis of the Song of Songs, she takes into account the modern exegesis of the book and feminist critiques of the theology embodied in the text.
"Death, Torture and the Broken Body in European Art, 1300?650 "
Bodies mangled, limbs broken, skin flayed, blood spilled: from paintings to prints to small sculptures, the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ?s Passion and its aftermath, but the martyrdoms of saints, stories of justice visited on the wicked, and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body?s desecration. Contributors to this volume interpret pain, suffering, and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists, but also as serving larger social functions within European society. Taking advantage ...
Foreign Bodies
In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and Western postmodernism are among the artistic domains Napier considers, while the symbolic terrain ranges from Balinese cosmography to body symbolism in biomedicine.
Shakespeariana
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Shakespeariana
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Shakespeariana
With v. 6 was issued "The Teachers' supplement. Conducted by W.S. Allis," no. 1-2, May-Oct. 1889.
Literature and Ethics
Literature and Ethics presents an original definition of the relation between literature and ethics at a time when the whole concept of ethical literary criticism is being widely reconsidered. The book focuses on ethical conditions that are presupposed in literary communication between authors and readers, rather than on ethical themes within literature.
Stories of the Rose
"In its most basic form, the rosary is a series of prayers and meditations designed to bring the worshiper closer to God through the Virgin Mary. But, as Anne Winston-Allen shows, there was no single text of the rosary prayer: different versions, some in German and some in Latin, evolved over the course of the late Middle Ages as communities of believers experimented with their own forms. She also finds that rosary prayers were influenced by secular, even courtly literature that used images of the rose and rose garden; in the rosary, Mary is the Mystical Rose.".
Between Saint James and Erasmus: Studies in Late-Medieval Religious Life – Devotion and Pilgrimage in the Netherlands
This volume is divided into four sections: late medieval devotion in the Netherlands; medieval Christian pilgrimage; the medieval cult of St. James the Great and Erasmiana. Variety and coherence sound the keynote in the title and the contents of the book. Religious concepts and expressions of religious faith such as pilgrimages and indulgences are representative of late-medieval Christianity. In this book they refer specifically to the medieval cult of St. James the Great, while for Erasmus they were an object of his critical consideration. The whole book can be read in the light of the debate about the tension between an appreciation for outward signs of faith, and the inward experience of religious belief, which Erasmus considered an absolute necessity.
Cultural Translation in Early Modern Europe
This groundbreaking 2007 volume gathers an international team of historians to present the practice of translation as part of cultural history. Although translation is central to the transmission of ideas, the history of translation has generally been neglected by historians, who have left it to specialists in literature and language. This book seeks to achieve an understanding of the contribution of translation to the spread of information in early modern Europe. It focuses on non-fiction: the translation of books on religion, history, politics and especially on science, or 'natural philosophy', as it was generally known at this time. The chapters cover a wide range of languages, including Latin, Greek, Russian, Turkish and Chinese. The book will appeal to scholars and students of the early modern and later periods, to historians of science and of religion, as well as to anyone interested in translation studies.
