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Corresponding with Carlos
Carlos Kleiber (1930-2004) was the greatest conductor of his generation. His reputation is legendary, and yet astonishingly-during five decades on the podium-he conducted only 89 concerts and some 600 opera performance, and produced 12 recordings. How did someone who worked so little compared to his peers achieve so much? Between his relatively small output and well-known aversion to publicity, many came to regard Kleiber as reclusive and remote, bordering on unapproachable. But in 1989 a conducting student at Stanford University wrote him a letter, and an unusual thing occurred: the world-renowned conductor replied. And so began a 15-year correspondence, study, and friendship by mail. Drawi...
The English Language
This bestselling text by Charles Barber recounts the history of the English language from its ancestry to the present day.
Songs from the Black Chair
Day after day, night after night, desperate men come to sit in the black chair next to Charles Barber?s desk in a basement office at Bellevue and tell of their travails, of prison and disease, of violence and the voices that plague them. Between the stories, amid the peeling paint, musty odor, and flickering fluorescent light of his office, Barber observes that this isn?t really where he is supposed to be and reveals his privileged youth in contrast to his own nightmare of mental illness. By relating these troubled lives to his own, Barber illuminates some of the most disturbing and enduring truths of human nature.
Citizen Outlaw
A VITAL NEXT CHAPTER IN THE ONGOING CONVERSATION ABOUT RACE AND SOCIAL JUSTICE IN AMERICA When he was in his early twenties, William Juneboy Outlaw iii was sentenced to eighty-five years in prison for homicide and armed assault. The sentence brought his brief but prolific criminal career as the head of a forty-member cocaine gang in New Haven, Connecticut, to a close. But behind bars, Outlaw quickly became a feared prison “shot caller” with 100 men under his sway. Then everything changed: His original sentence was reduced by sixty years. At the same time, he was shipped to a series of America’s most notorious federal prisons, where he endured long stints in solitary confinement—and w...
Early Modern English
This book describes the English language between the years 1500 and 1700 - the different varieties of the language, the attitudes of its speakers towards it, its pronunciation, vocabulary and grammar.
Contesting the Logic of Painting
Drawing on a range of philosophical and theological writings produced in eleventh-century Byzantium, this book offers a reading of the icon and Byzantine aesthetics that not only expands our understanding of these topics but challenges our assumptions about the work of art itself.
The Barber Family Chronicle
A Chronicle of Barber, Napier, McLean, Wright, Nicolls and Reynolds family Histories.
The English Language
The English Language: A Historical Introduction covers the history of the English language from its prehistoric Indo-European origins to the present day. Assuming no previous knowledge of the subject, Charles Barber describes the nature of language and language change, and presents a history of the English language at different periods, dealing with key topics such as grammar, pronunciation and semantics. Where necessary, he introduces and explains the main theoretical and technical concepts of historical linguistics. There are also chapters on English in the scientific age, English as a world language and the future of the language. Charles Barber uses dozens of familiar texts, including the English of King Alfred, Chaucer, Shakespeare, and Addison, to illustrate the state of the English language through time in a range of contexts. This is a fascinating book for anyone with an interest in language.
Figure and Likeness
Figure and Likeness presents a thought-provoking new account of Byzantine iconoclasm--the fundamental crisis in Christian visual representation during the eighth and ninth centuries that defined the terms of Christianity's relationship to the painted image. Charles Barber rejects the conventional means of analyzing this crisis, which seeks its origin in political and other social factors. Instead, he argues, iconoclasm is primarily a matter of theology and aesthetic theory. Working between the theological texts and the visual materials, Barber demonstrates that in challenging the validity of iconic representation, iconoclasts were asking: How can an image depict an incomprehensible God? In r...
