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The Irish Tradition in Old English Literature
Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.
Oblivion Banjo
The selected works of one of our finest American poets The thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don’t touch it here, and don’t touch it there. Don’t touch it, in fact, anywhere— Let it dangle and hold us hard, let it flash and swing. —from “Scar Tissue” Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landsca...
Carroll Wright and Labor Reform
Contemporaries of Carroll D. Wright (1840-1909) lived through the transformation of American society by the industrial revolution. For the most part they thought the transformation represented growth and progress, but many also found occasion for doubt and fear in its consequences. Their anxieties collected around the notions of a "labor problem" and "labor reform." Whether from hope or fear, people felt a need for statistical information. On this popular demand Wright built his career as statistical expert and renowned master of "labor statistics." His investigations during thirty-two years of government service (1873-1905) gave form to contemporary ideas and set precedents for modern procedures, as in his seminal studies of wages, prices, and strikes. In telling how Wright took up this unprecedented career, Mr. Leiby shows the importance of Wright's early years and relates his work to the politics and religion of his time as well as to its social science. In this perspective, the history of the labor bureaus and their voluminous reports take on their original human purposes and meaning.
Black Zodiac
Winner of the Pulitzer Prize and the National Book Critics Circle Award Black Zodiac offers poems suffused with spiritual longing—lyrical meditations on faith, religion, heritage, and morality. The poems also explore aging and mortality with restless grace. Approaching his vast subjects by way of small moments, Wright magnifies details to reveal truths much larger than the quotidian happenings that engendered them. His is an astonishing, flexible, domestic-yet-universal verse. As the critic Helen Vendler has observed, Wright is a poet who "sounds like nobody else."
Chickamauga
This volume, Wright's eleventh book of poetry, is a vivid, contemplative, far-reaching, yet wholly plain-spoken collection of moments appearing as lenses through which to see the world beyond our moments. Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"
Sestets
Sestets is the nineteenth book from one of the country's most acclaimed poets, a masterpiece of formal rigor and a profound meditation on nature and mortality. It is yet another virtuosic showcase for Charles Wright's acclaimed descriptive powers, and also an inquiry into the nature of description itself, both seductive and dangerous: "a virtual world/ Unfit for the virtuous." Like his previous books, Sestets is seeded with the lyrics of old love songs and spirituals, and "there is always room to connect his highly polished poems to the world where most of us lead mundane lives" (Miami Herald). Soaring and earthy, lyrical and direct, Charles Wright is an American treasure, and his search for a truth that transcends change and death settles finally on the beauties of nature and language: "Time is a graceless enemy, but purls as it comes and goes."
Negative Blue
Negative Blue is the culmination of the cycle that won Wright the Pulitzer Prize and National Book Critics Circle Award. Time will append us like suit coats left out overnight On a deck chair, loose change dead weight in the right pocket, Silk handkerchief limp with dew, sleeves in a slow dance with the wind. And love will kill us-- Love, and the winds from under the earth that grind us to grain-out. --from "Still Life with Spring and Time to Burn" When Charles Wright published Appalachia in 1998, it marked the completion of a nine-volume project, of which James Longenbach wrote in the Boston Review, "Charles Wright's trilogy of trilogies--call it 'The Appalachian Book of the Dead'--is sure to be counted among the great long poems of the century." The first two of those trilogies were collected in Country Music (1982) and The World of the Ten Thousand Things (1990). Here Wright adds to his third trilogy (Chickamauga [1995], Black Zodiac [1997], and Appalachia [1998]) a section of new poems that suggest new directions in the work of this sensuous, spirit-haunted poet.
Annual Report of the Commissioner of Patents
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.
Bye-and-Bye
Over the course of nineteen collections of poems, Charles Wright has built "one of the truly distinctive bodies of poetry created in the second half of the twentieth century" (David Young, Contemporary Poets). Bye-and-Bye, which brings together selections from Wright's more recent work—including the entirety of Littlefoot, Wright's moving, book-length meditation on mortality—showcases the themes and images that have defined his mature work: the true affinity between writer and subject, human and nature; the tenuous relationship between description and actuality; and the search for a truth that transcends change and death. Bye-and-Bye is a wonderful introduction to the late work of one of America's finest and best-loved poets.
Buffalo Yoga
The sun has set behind the Blue Ridge, And evening with its blotting paper lifts off the light. Shadowy yards. Moon through the white pines --"Landscape with Missing Overtones" Never has Charles Wright's vision been more closely aligned with the work of the ancient Chinese painters and writers who inform his poetry than in his newest collection. Wright's short lyrics, in Charles Simic's words, "achieve a level of eloquence where the reader says to himself, if this is not wisdom, I don't know what is" (The New York Review of Books). The poems in Buffalo Yoga are pristine examples of the Tennessee poet's deft, painterly touch--"crows in a caterwaul" are "scored like black notes in the bare oak"--and his oblique, expansive, and profound interrogation of mortality, as in the title sequence, where the soul is "a rhythmical knot. / That form unties. Or reties."
