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One of the best known studies of lycanthropy, written by the author of the hymn 'Onward Christian Soldiers.' The first ten chapters are a pretty good review of the shape-shifting literature, and then it takes a strange left turn into the topic of psychopathy.
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?
'Compelling... Riggs's approach to the man-as-artist is to see him as a paradox, a man of reckless defiance who boasted openly about his womanizing and criminal record, and who nonetheless represented himself in Renaissance England as the great model of a self-restrained and chastely austere classical style of writing... David Riggs's eminently readable and generously illustrated study not only fully justifies our curiosity, but handles with admirable tact what might be lurid and sensational if our only interest were the gossip.'New York Times Book Review
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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:Werewolves. In folklore, a werewolf is a human with the ability to shapeshift into a wolf-like creature, after a curse. Belief in werewolves developed in parallel to the belief in witches, in the course of the Late Middle Ages and the Early Modern period. The Book of Were-Wolves reports of actual cases of alleged lycanthropy. Rev. Sabine Baring-Gould does a inv...
Legends of wolf-men exist in the beliefs of almost all peoples and cultures. The terror of werewolves reached a climax in the late Middle Ages when Kramer’s Malleus Maleficarum (Hammer of Witches) linked the creatures to religious heresy, Satanism, and witchcraft. He described the wolf-man transformation as the result of malevolent witchcraft and presented shapeshifting as a common, demonic practice. Baring-Gould’s study on werewolves successfully manages to compress an enormous span of historical material into his work. The book is valuable to academics, those interested in folklore, and any wishing to learn more about the occult. Sabine Baring-Gould The Book of Were-Wolves Elliott O'Donnell Werwolves Caroline Taylor The Origin of The Werewolf Superstition