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David Riggs evokes the atmosphere and texture of Marlowe's life, from the stench and poverty of a childhood spent near Canterbury's abattoirs to the fanatical pursuit of classical learning at school. Marlowe won a place at Cambridge University, where he entered its world of 18-hour working days, religious intrigue and twilight homosexuality, tolerated but unspoken. The gifted student was not immune to the passions and fears of the wider society, and Riggs describes the mood of England in those years when Elizabeth's crown was anything but secure, and Spain and the Papacy were determined to overthrow her regime. Looming above everything is the Elizabethan state and its spy rings, with which Marlowe was already involved by the time he left Cambridge. His undercover missions brought him into contact with Catholic conspirators who were plotting to kill the Queen; yet as a playwright and thinker he was attracted to the most unorthodox and threatening idea of all - atheism. Marlowe's brief life was enigmatic, contradictory and glorious - and this magisterial work of reconstruction and scholarship illuminates it with immense richness.
The story of a man caught between two paths, a corporate tightrope and a battle with his own love and mortality. Faced with participating in a scandal that threatens his marriage and his sanity, David Riggs chooses to escape his life in the canyons of Colorado. But not without causing a scandal of his own, and not without absorbing what it means to live deliberately.
A textbook for students in Japanese, communication, or international studies, assuming no previous background in Japanese language or culture. Donahue (Japanese studies, Nagoya Gakuin U., Japan) first surveys the perceptual barriers to communicating between Japan and North America, then examines the Japanese communication style, differences in discourse, and images of the Japanese in the mass media. Annotation copyrighted by Book News, Inc., Portland, OR
'Compelling... Riggs's approach to the man-as-artist is to see him as a paradox, a man of reckless defiance who boasted openly about his womanizing and criminal record, and who nonetheless represented himself in Renaissance England as the great model of a self-restrained and chastely austere classical style of writing... David Riggs's eminently readable and generously illustrated study not only fully justifies our curiosity, but handles with admirable tact what might be lurid and sensational if our only interest were the gossip.'New York Times Book Review
What does free market environmentalism have to say about Love Canal, Cleveland's burning Cuyahogo River, golf course pollution, EPA's Toxic Release Inventory Requirement, nonpoint source pollution and river basin associations? In this revealing book Bruce Yandle has compiled eleven essays that address these concerns and provide the reader with an in-depth, market-based analysis of evolving environmental institutions and regulations. This book is essential reading for students and scholars of environmental economics, politics, and law.
Shakespeare's history plays are central to his dramatic achievement. In recent years they have become more widely studied than ever, stimulating intensely contested interpretations, due to their relevance to central contemporary issues such as English, national identities and gender roles. Interpretations of the history plays have been transformed since the 1980s by new theoretically-informed critical approaches. Movements such as New Historicism and cultural materialism, as well as psychoanalytical and post-colonial approaches, have swept away the humanist consensus of the mid-twentieth century with its largely conservative view of the plays. The last decade has seen an emergence of feminist and gender-based readings of plays which were once thought overwhelmingly masculine in their concerns. This book provides an up-to-date critical anthology representing the best work from each of the modern theoretical perspectives. The introduction outlines the changing debate in an area which is now one of the liveliest in Shakespearean criticism.
Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of authorship, theater and performance his...
On the morning of May 30, 1593, Christopher Marlowe met with three associates in the English intelligence network. Later that evening the Queen's coroner was summoned to their meeting place. A body lay on the floor. After an inquest, the dead man was taken to a nearby churchyard busy at the time receiving victims of the plague. According to the official report, England's foremost playwright was interred without fanfare or marker. Soon, plays attributed to William Shakespeare began to appear on the London stage, plays so undeniably similar to Marlowe's that noted scholars have since declared that Shakespeare wrote as if he had been Marlowe's apprentice. Marlowe's Ghost: The Blacklisting of the Man Who Was Shakespeare explores the possibility that persecution of a writer who dared to question authority may have led to the greatest literary cover-up of all time.