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The Harvard Commission on Western History, Charles Elliott Perkins Foundation
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Perkins/Budd
None
The Pinto Horse and the Phantom Bull
In 1927 Owen Wister called The Pinto Horse “the best western story about a horse that I have ever read.” The pinto roamed the Montana range in the late 1880s, surviving wolves and blizzards and earning the respect of the herd but never blending in, always standing out in vulnerable perfection. After years of trusting to human kindness, he falls into the hands of fools. The Phantom Bull, first published in 1932, is also marked by authenticity and controlled beauty of style. Old Man Ennis, who ranched on the upper Madison in Montana, grudgingly admired the slate-colored Zebu cow, whose wild cunning was passed on to her calf. The calf grows into a monster bull, not personified but endowed with the suggestion of a definite point of view. A phantom glimpsed against the horizon—that is the image he leaves.
