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Hutchinson's Washington and Georgetown Directory
  • Language: en
  • Pages: 1038

Hutchinson's Washington and Georgetown Directory

  • Type: Book
  • -
  • Published: 1897
  • -
  • Publisher: Unknown

None

Gouldings New York City Directory
  • Language: en
  • Pages: 1702

Gouldings New York City Directory

  • Type: Book
  • -
  • Published: 1877
  • -
  • Publisher: Unknown

None

Trow's New York City Directory
  • Language: en
  • Pages: 1092

Trow's New York City Directory

  • Type: Book
  • -
  • Published: 1860
  • -
  • Publisher: Unknown

None

Reports of Cases in Law and Equity, Argued and Determined in the Supreme Court of the State of Georgia, in the Year ...
  • Language: en
  • Pages: 772
Boyd's Directory of the District of Columbia
  • Language: en
  • Pages: 1098

Boyd's Directory of the District of Columbia

  • Type: Book
  • -
  • Published: 1903
  • -
  • Publisher: Unknown

None

Catalogue
  • Language: en
  • Pages: 24

Catalogue

  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

None

Proceedings of the Grand Lodge of Free and Accepted Masons of the District of Columbia
  • Language: en
  • Pages: 918
Agriculture Decisions
  • Language: en
  • Pages: 700

Agriculture Decisions

  • Type: Book
  • -
  • Published: 1962
  • -
  • Publisher: Unknown

Up to 1988, the December issue contained a cumulative list of decisions reported for the year, by act, docket numbers arranged in consecutive order, and cumulative subject-index, by act.

Bound for America
  • Language: en
  • Pages: 257

Bound for America

Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of the early United States. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of London, New York, and Boston (1757-1822) were among the first trained professional composers to make their home in America and to pioneer the building of an art music tradition in the New World akin to the esteemed European classical music. Why, in middle age, would they emigrate and start over in uncertain and unfavorable conditions? How did the new environment affect them personally and musically? Temperley compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.