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Essays on Art and Language
Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In ...
A Life's Design
The Viewmaster. The portable hair dryer. The riding lawn mower. The see-through measuring cup. The first garbage can that didnt dent, break or go clang in the night.These and countless other icons of Americana unobtrusively yet radically reshaped the contours of 20th Century lifemillions can say they have one of these or fondly remember one of those. Yet few if any can say that they knew that the genius behind these and those originated from one prolific source: a dyslexic kid from rural Louisiana.A Lifes Design (Ibis 2006, 125 pp) chronicles the life, career and the emergent philosophy of Charles Chuck Harrison, one the most prolific and respected industrial designers of his time, an influencer on style and design today, and a pioneer as the first African American executive ever hired by Sears Roebuck & Company.Designs by Chuck Harrison not only reflected our changing lives, they often drove the transformation itself that took place in the American home and workplace during the era following World War II through the mid-1980s.
An Introduction to Art
At once engaging, personal, and analytical, this book provides the intellectual resources for the critical understanding of art Charles Harrison’s landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.
Charles Harrison
"Here Harrison is interviewed by Jo Melvin, Teresa Gleadowe and Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, and Christopher Heuer and Matthew Jesse Jackson"--P. [4] of cover.
Conceptual Art and Painting
In 'Conceptual Art and Painting', a companion to his 'Essays on Art and Language', Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of 'neo-Conceptual' art--Publisher's description.
Painting the Difference
The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, Painting the Difference, explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane. Arguing that the representation of women in art was crucial to the chara...
Art in Theory 1815-1900
Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.
Primitivism, Cubism, Abstraction
On art in the early 20th century
English Art and Modernism, 1900-1939
This lavishly illustrated book is both a detailed history of the development of modern art in England in the early 20th century and a study of the evolution of the concept of modernism among English artists, critics, and theorists. First published in 1981 to great acclaim, the book is now available in paperback with a new introduction and new colour plates.
Modernism
Modernism is used generally to convey a faith in progress and a healthy scepticism for received ideas and traditional values. Harrison looks at modernism in order to consider what the defining characteristics of this art form are.
