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The Life Of Charles James Mathews: Chiefly Autobiographical, With Selections From His Correspondence And Speeches
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autobiography : an apology for the life of Charles James Mathews 1803-1819
Charles James Mathews was a British actor, son of actor Charles Mathews. Born in Liverpool, upon leaving school he was articled as the architect Augustus Charles Pugin's apprentice and worked in this profession for some years. His first public appearance on the stage was made on 7 December 1835, at the Olympic Theatre in London in his own play "The Humpbacked Lover." As an actor, Mathews held an unrivalled place in his unique vein of light eccentric comedy, thanks to an easy grace combined with "imperturbable solemnity", a combination which amused people. He was one of the few British actors to be successful in French-speaking roles in France, and enjoyed popularity in the United States, touring there three times. He managed several theatres during his career, yet despite theatrical innovations was never financially successful. He embarked on a world tour at age 66 and continued to act until within a few weeks of his death. After his death, Mathews's family entrusted Charles Dickens with a box marked "Materials for the book," which were used to assemble the chapters labeled 'Autobiography' and 'Correspondence' by the editor.
The Life of Charles James Mathews
Charles James Mathews was a British actor, son of actor Charles Mathews. Born in Liverpool, upon leaving school he was articled as the architect Augustus Charles Pugin's apprentice and worked in this profession for some years. His first public appearance on the stage was made on 7 December 1835, at the Olympic Theatre in London in his own play "The Humpbacked Lover." As an actor, Mathews held an unrivalled place in his unique vein of light eccentric comedy, thanks to an easy grace combined with "imperturbable solemnity", a combination which amused people. He was one of the few British actors to be successful in French-speaking roles in France, and enjoyed popularity in the United States, touring there three times. He managed several theatres during his career, yet despite theatrical innovations was never financially successful. He embarked on a world tour at age 66 and continued to act until within a few weeks of his death. After his death, Mathews's family entrusted Charles Dickens with a box marked "Materials for the book," which were used to assemble the chapters labeled 'Autobiography' and 'Correspondence' by the editor
LIFE OF CHARLES JAMES MATHEWS
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
