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Charles Darwin published The Origin of Species, his revolutionary tract on evolution and the fundamental ideas involved, in 1859. Nearly 150 years later, the theory of evolution continues to create tension between the scientific and religious communities. Challenges about teaching the theory of evolution in schools occur annually all over the country. This same debate raged within Darwin himself, and played an important part in his marriage: his wife, Emma, was quite religious, and her faith gave Charles a lot to think about as he worked on a theory that continues to spark intense debates. Deborah Heiligman's new biography of Charles Darwin is a thought-provoking account of the man behind evolutionary theory: how his personal life affected his work and vice versa. The end result is an engaging exploration of history, science, and religion for young readers. Charles and Emma is a 2009 National Book Award Finalist for Young People's Literature.
A retelling of a traditional Cornish folktale, illustrated in full colour by Michael Foreman.
The first volume in a pioneering account of Oliver Cromwell--providing a major new interpretation of one of the greatest figures in history Oliver Cromwell (1599-1658)--the only English commoner to become the overall head of state--is one of the great figures of history, but his character was very complex. He was at once courageous and devout, devious and self-serving; as a parliamentarian, he was devoted to his cause; as a soldier, he was ruthless. Cromwell's speeches and writings surpass in quantity those of any other ruler of England before Victoria and, for those seeking to understand him, he has usually been taken at his word. In this remarkable new work, Ronald Hutton untangles the facts from the fiction. Cromwell, pursuing his devotion to God and cementing his Puritan support base, quickly transformed from obscure provincial to military victor. At the end of the first English Civil War, he was poised to take power. Hutton reveals a man who was both genuine in his faith and deliberate in his dishonesty--and uncovers the inner workings of the man who has puzzled biographers for centuries.
It is often assumed that the female characters found in popular folk and fairy tales are little more than inconsequential stereotypes--mostly serving as hapless victims in need of rescue, boring one-dimensional princesses, or egotistical and conniving villains. This book presents more fully-realized portraits of these female characters and the ways in which they actually represent bold and powerful connections to the goddesses of classic mythic narratives. The rich legacy of female goddesses, shamans, queens, and priestesses is in fact preserved and celebrated through these more modern representations, whether as brides who can transform into animals, wise old women who live alone in the deep wilderness, strong warrior maidens, or witches who can conquer and command the elements of nature. In contemplating this revised analysis of female characters within global folktales and fairy tales, readers can see that the goddesses of old have never truly been forgotten.
Michael Ray Charles is a painter whose carefully crafted and faux-aged canvases and works on paper draw attention to race relations historically and in contemporary society. Borrowing pop culture images of characters such as Sambo, Buckwheat, and Aunt Jemima, Charles uses them ironically to comment on racial issues. His concerns range from how tobacco and liquor companies target marketing to minorities to the depiction of African Americans in the entertainment and sports industries to concepts of all-American (i.e., white) beauty. This book is the catalog of the first major solo exhibition of Charles' work, staged by Blaffer Gallery, the Art Museum of the University of Houston. It contains a broad range of color images of paintings and works on paper. In addition to the catalog entries, the book contains an interview between exhibit curator Don Bacigalupi, catalog essayist Marilyn Kern-Foxworth, and artist Michael Ray Charles, in which the artist discusses and interprets his work. An essay by writer and cultural historian Marilyn Kern-Foxworth situates Charles' work within contemporary African American culture.
Charles Schwab was known to his employees, business associates, and competitors as a congenial and charismatic person-a 'born salesman.' Yet Schwab was much more than a salesman-he was a captain of industry, a man who streamlined and economized the production of steel and ran the largest steelmaking conglomerate in the world. A self-made man, he became one of the wealthiest Americans during the Gilded Age, only to die penniless in 1939.Schwab began his career as a stake driver at Andrew Carnegie's Edgar Thomson steel works in Pittsburgh at the age of seventeen. By thirty-five, he was president of Carnegie Steel. In 1901, he helped form the U.S. Steel Corporation, a company that produced well...
Charles Ludwig retells Michael Faraday’s remarkable life story in fictionalized form. Here is the father of the electric motor, the dynamo, the transformer, the generator. Few persons are aware of the brilliant man’s deep Christian convictions and his determination to live by the Sermon on the Mount. For ages 12 to 15.
Written over fifty years ago, History and Historians of Political Economy is now being published for the first time. John Maynard Keynes, after reading the manuscript, called Stark âone of the most learned men on these matters that I have ever come across.â Its publication is an important event in the study of the history of social ideas, particularly economic ideas. Werner Stark's most significant contribution to scholarship is his extensive work in the sociology of knowledge. In this volume, he reveals his parallel analysis of the history of economic thought, highlighting the paramount influence of social and historical factors. The themes of Stark's work are extraordinarily cont...