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Holocaust
In Holocaust poet Charles Reznikoff's subject is people's suffering at the hand of another. His source materials are the U.S. government's record of the trials of the Nazi criminals before the Nuremberg Military Tribunal and the transcripts of the Eichmann trial in Jerusalem. Except for the twelve part titles, none of the words here are Reznikoff's own: instead he has created, through selection, arrangement, and the rhythms of the testimony set as verse on the page, a poem of witness by the perpetrators and the survivors of the Holocaust. He lets the terrible history unfold--in history's own words.
Charles Reznikoff
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Charles Reznikoff
A critical essay on the work of poet Charles Reznikoff.
The Manner Music
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Testimony
A major work by an essential American poet, published in full for the first time. Available again for the first time since 1978-and complete in one volume for the first time ever-Charles Reznikoff'sTestimonyis a lost masterpiece, a leg- endary book that stands alongside Louis Zukofsky's "A" and William Carlos Williams'sPatersonas a milestone of modern American poetry. Taking as its raw material the voices of witnesses, victims, and perpetrators discovered by the author in criminal court transcripts, Reznikoff's book sets forth a stark panorama of late- 19th- and early 20th-century America-the underside of the Gilded Age, beset by racism and casual violence, poverty and disease-in a radically stripped-down lan- guage of almost unbearable intensity. This edition also includes Reznikoff 's prose studies for the poem, unavailable to readers since the 1930s, and a new introduction by essayist Eliot Weinberger.
The Poems of Charles Reznikoff
Charles Reznikoff (1894-1976), the son of Russian garment workers, was an American original: a blood-and-bone New Yorker, a collector of images and stories who walked the city from the Bronx to the Battery and breathed the soul of the Jewish immigrant experience into a lifetime of poetry. He wrote narrative poems based on Old Testament sources. Above all, he wrote spare, intensely visual, epigrammatic poems, a kind of urban haiku. The language of these short poems is as plain as bread and salt, their imagery as crisp and unambiguous as a Charles Sheeler photograph. But their meaning is only hinted at: it is there in the selection of details, and in the music of the verse. Reznikoff was since...
Selected Letters of Charles Reznikoff, 1917-1976
This landmark volume of correspondence by the great Objectivist poet Charles Reznikoff (1894-1976) sheds light not only on the difficulties of a dedicated artist trying to keep afloat in a materialistic society, but on the relation of poetry to a wider culture during an eventful and turbulent period of modern history. Most of the letters here date from the 1920s and 1930s, when the young Reznikoff, an N.Y.U. law school graduate employed sporadically as an editor of legal encyclopedias and as a travelling salesman for his parents' millinery business, devotes his heart and soul to his writing -- turning out poems, plays, short stories and novels which, for want of commercial takers, he himself...
Charles Reznikoff - Twilight Rhythms & Other Verse
Charles Reznikoff - Twilight Rhythms & Other Poems Forgotten Poets #11 / forgottenpoets.substack.com 'Twilight Rhythms & Other Poems' [124 pages] brings together over 100 poems by New York poet Charles Reznikoff, including selections from Rhythms I (1918), Rhythms II (1919), Poems (1920), Urial Acosta (1921) & Five Groups of Verse (1927); with a number of restored illustrations by artist Coulton Waugh. While Reznikoff never attained success as a poet in his own time, his haiku and tanka-like work was later celebrated, first by Louis Zukofsky and the Objectivists in the 1930s, and then by the Beats in the 1950s. Allen Ginsberg in particular was a fan of Reznikoff's work, and affectionately ca...
