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Estranged
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Catalogue of the library of the Peabody institute of the city of Baltimore ...
Reprint of the original, first published in 1883.
Kate Field
Although famous during her lifetime, Kate Field (1838-1896) subsequently slipped into such a state of obscurity that in 1964, when the St. LouisAmerican published a bicentennial article to honor one of the city's most distinguished daughters, the eulogy bore the title "Who Was Kate Field?" Carolyn Moss has collected correspondence ranging over more than fifty years to allow Field to answer that question herself. Field was acquainted with, among numerous others, George Eliot, Oscar Wilde, Julia Ward Howe, Mark Twain, Charles Dickens, the Brownings, and the Trollopes. Outside the world of literature, she hobnobbed with such men and women as Harriet Hosmer, Horace Greeley, Gilbert and Sullivan,...
A History of English Drama 1660-1900
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
The Collected Works of Alfred B. Sedgwick
First Published in 1994. This is volume 7 of a 16-volume series providing comprehensive set of works from a full century of musical theatre in the United States of America. The contents of this volume represent the most ubiquitous, yet probably the least well documented or described forms of musical theatre in the United States during the nineteenth century. Alfred B. Sedgwick, this volume's focus, was one of the most prolific published authors of playlets with music – especially popular with middle-class families whose ancestors had emigrated from the British Isles.
Judy
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