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To see the great art galleries, stately homes and museums up and down Britain today is to witness the rich story of the British as art collectors, a narrative that mirrors the history of the country. In this remarkable new book, James Stourton and Charles Sebag-Montefiore present a comprehensive survey of British art collectors down the centuries. The major collecting landmarks covered include Henry VIII, who harnessed the arts in the service of the crown, Charles I and the Whitehall Circle, the Grand Tour and the country house boom, the bonanza created by the Napoleonic Wars and the Industrial Revolution, French taste, the collecting of Spanish art, the passion for Florence, the 19th-centur...
"The first book in the series, Flashman's Secret, throws a search light onto some very murky corners of 19th century history including the early careers of the notorious courtesan, Lola Montez, and Sweeney Todd, the 'Demon Barber of Fleet Street'. New insights are also provided into the formation of the IRA, the First Afghan War and the dubious acquisition by the British crown of the cursed Koh-i-Noor diamond. If this were not enough, Flashman's Secret also reveals Nelson's actual last words and the existence of a sinister and murderous secret society at the heart of the British establishment" --
The book measures 300 x 248 mm, and comprises 464 pages, printed to the highest standard on archival-quality Mohawk Superfine 118gsm paper. This edition is privately printed for the Roxburghe Club, which has agreed to make 250 copies available for sale at 250.00 plus postage and packing. The book, ISBN 978 1 901902 10 5, is available from Maggs Bros. Ltd. A Dynasty of Dealers: John Smith and Successors 1801-1924 is a study of the art market for Dutch and Flemish pictures in nineteenth-century London, based on 564 unpublished letters between the art dealer John Smith, his sons and their customers, and also on the Smith firm's business books, which are now located in the Victoria and Albert Mu...
"Edward VII, who gave his name to the Edwardian Age but was always known as Bertie, was fifty-nine when he finally came to power in 1901. He was king for the last nine years of his life.
THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE DUFF COOPER PRIZE Edward VII, who gave his name to the Edwardian era but was always known as Bertie, was fifty-nine when he finally came to power and ushered out the Victorian age. The eldest son of Queen Victoria and Prince Albert, Bertie was bullied by both his parents. Denied any proper responsibilities, the heir to the throne spent his time eating (which earned him the nickname ‘Tum Tum’), pursuing women (which Queen Victoria held to be the reason for Albert’s early demise), gambling, going to house parties and race meetings, and shooting pheasants. His arranged marriage to the stunning Danish princess Alexandra gave him access to the European dynastic network; but his name was linked with many beauties, including Lillie Langtry and Winston Churchill’s mother. This magnificent new biography provides new insight into the playboy prince while painting a vivid portrait of the age in all its excess and eccentricity.
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.
In this illustrated book, an eminent art historian examines the intriguing history and significance of the international art exhibition of the Old Master paintings.
Based on a manuscript discovered in a country bookshop, far from Matfen Hall in Northumberland, where it was written by a Lady Blackett, the Victorian wife of Edward Blackett Bt. It a history of an important northern family, with Lady Blackett's writing and many of her pictures and photographs, including one of a ghost!
A fascinating and authoritative history of this famous Wiltshire country house. Written with flair and drawing on original sources, Jennie Elias offers a vivid portrait of this quintessential English country house.