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This classic tale of love and redemption from Greek mythology is retold in gripping detail by Charles Stuttaford. The story of Cupid and Psyche has been a beloved and enduring myth for generations, and this version is no exception. This book is a must-read for anyone interested in classic literature and timeless tales of love and adventure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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In the first collection to be devoted to this subject, a distinguished cast of contributors explores expurgation in both Greek and Latin authors in ancient and modern times. The major focus is on the period from the seventeenth to the twentieth century, with chapters ranging from early Greek lyric and Aristophanes through Lucretius, Horace, Martial and Catullus to the expurgation of schoolboy texts, the Loeb Classical Library and the Penguin Classics. The contributors draw on evidence from the papers of editors, and on material in publishing archives. The introduction discusses both the different types of expurgation, and how it differs from related phenomena such as censorship.
Book #4 of the Cupid’s Fall series is a contemporary reimagining of the Cupid and Psyche myth that will leave you breathless to the very last page. The God of Love is a mess. Heartbroken and unmoored after losing Pan to his Right Love, Cupid knows the only cure is the next all-consuming love the gods will inflict on him. When Aphrodite refuses to hasten Cupid’s next torment, he resorts to a very human approach to relieving his misery – therapy. His online sessions seem to be working until Dr. Mariposa Rey mysteriously cuts him off. Sensing she needs his help, Cupid sets out on a cross-country adventure to Lake Tahoe, where his heart will be inflamed for one last Worthy. What Cupid doesn’t know is that this fourth test will be his one and only chance at Right Love. With the ancient myth of Cupid and Psyche as his guide, Cupid attempts the impossible – a happily eternally after with his reluctant soul mate.
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This classic Roman tale tells the story of the god Cupid and the mortal woman Psyche, whose love for each other is tested by a series of trials and obstacles. The story has been retold countless times throughout history, and this edition features a translation of Apuleius's text as well as commentary and analysis by Charles Stuttaford and Jessie Mothersole. Fans of mythology and classic literature will enjoy this enduring tale of love and perseverance. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Contemporary translation studies have explored translation not as a means of recovering a source text, but as a process of interpretation and production of literary meaning and value. Translation and the Classic uses this idea to discuss the relationship between translation and the classic text. It proposes a framework in which 'the classic' figures less as an autonomous entity than as the result of the interplay between source text and translation practice and examines the consequences of this hypothesis for questioning established definitions of the classic: how does translation mediate the social, political and national uses of 'the classics' in the contemporary global context of changing canons and traditions? The volume contains a total of eighteen original essays, plus an introduction, written by scholars working in classics and classical reception, translation studies, literary theory, comparative literature, theatre and performance studies, history and philosophy and makes a potent contribution to pressing debates in all of these areas.