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Graeco-Roman literary works, historiography, and even the reporting of rumours were couched as if they came in response to an insatiable desire by ordinary citizens to know everything about the lives of their leaders, and to hold them to account, at some level, for their abuse of constitutional powers for personal ends. Ancient writers were equally fascinated with how these same individuals used deceit as a powerful tool to disguise private and public reality. The chapters in this collection examine the themes of despotism and deceit from both historical and literary perspectives, over a range of historical periods including classical Athens, the Hellenistic kingdoms, late republican and early imperial Rome, late antiquity, and Byzantium.
This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important ...
This expansive edited collection explores in depth the georgic genre and its connections to the natural world. Together, its chapters demonstrate that georgic—a genre based primarily on two classical poems about farming, Virgil’s Georgics and Hesiod’s Works and Days—has been reworked by writers throughout modern and early modern English-language literary history as a way of thinking about humans’ relationships with the environment. The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of ‘n...
This monograph studies how, across the Folio of 1681, Marvell's poems engage not merely with different kinds of loss and aspiration, but with experiences of both that were, in mid-seventeenth-century England, disturbingly new and unfamiliar. It particularly examines Marvell's preoccupation with the search for home, and with redefining the homeland, in times of civil upheaval. In doing so it traces his progression from being a poet who plays sophisticatedly with received myth to being one who is a national mythmaker in rivalry with his poetic contemporaries such as Waller and Davenant. Although focusing primarily on poems in the Folio of 1681, this book considers those poems in relation to others from the Marvell canon, including the Latin poems and the satires from the reign of Charles II. It closely considers them as well in relation to verse by poets from the classical past and the European, especially English, present.
Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.
A collection of scholarship on Herodotus. Vol. 1 discusses his historical method, sources, narrative art, literary antecedents, intellectual background, and political ideology. Vol. 2 focuses on his description of foreign lands and peoples and the theoretical issues it raises, including the extent to which the ethnographic portrayals conform to a conventional Greek construct of barbarian 'otherness' or derive from direct contact with native sources.
Public speech was a key aspect of politics in Republican Rome, yet the partial nature of the available evidence means that our understanding of its workings is dominated by one man: Cicero. This volume explores the oratory of the Roman Republic as practiced by individuals other than Cicero, focusing on the surviving fragments of such oratory.
Offers a fresh interpretation of Virgil's Aeneid via a detailed study of its child hero, Ascanius, young son of Aeneas.
Lauded after his death as ‘champion of the English Commonwealth’, but also derided as a ‘most servile wit, and mercenary pen’, the poet, dramatist and historian Thomas May (c.1595–1650) produced the first full translation into English of Lucan’s Bellum Ciuile shortly before a ruinous civil war engulfed his own country. Lucan, whose epic had lamented the Roman Republic’s doomed struggle to preserve liberty and inevitable enslavement to the Caesars, and who was forced to commit suicide at the behest of the emperor Nero, was a figure of fascination in early modern Europe. May’s accomplished rendition of his challenging poem marked an important moment in the history of its Englis...
This book is an investigation of non-fatal injury and bloodspill in Homer's Iliad and demonstrates the crucial significance of these motifs in the epic. They are shown to be fundamental to defining heroic status and a powerful means for developing the narrative and thematic structures of the poem. The study offers a nuanced definition of the nature of mortality and immortality and shows how the motifs of injury and bloodspill explicate the plot of the poem and its ethical values. This work is the first to examine these motifs in a systematic and comprehensive investigation. Focusing exclusively on the Iliad, the book sheds new light on ideals of heroic conduct.