You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A striking look back at a remarkable period in history Featuring 125 black and white photographs by such renowned Farm Security Administration photographers as Dorothea Lange, Arthur Rothstein, Russell Lee, and several others, this book documents ranching culture in western states during the Great Depression and leading up to World War II.
The Real Singing Cowboys profiles contemporary cowboy--and cowgirl--singers and musicians who are, or have been, authentic working cowboys or ranchers, or involved in related occupations tied to ranching and cowboy culture. The book includes over fifty brief biographies and photos of the singers and musicians, including Glenn Ohrlin, Dave Stamey, Wylie Gustafson, and R.W. Hampton. The stories of traditional occupational songs of working cowboys and how that tradition continues in today s world provide context for the contemporary performers included in the book. These men, women, and children are, or have been, working cowboys, ranchers, packers, and horse trainers, or have deep roots in cowboy and ranching culture that have shaped and informed their music."
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.
In 1831, Richard McLemore received a federal land grant of 2,000 acres located in the future Lauderdale County, Mississippi. He gave free land to those he considered good neighbors and built his home within the one square mile that would be incorporated as Meridian on February 10, 1860. On Valentine's Day 1864, Gen. W.T. Sherman's troops marched into the small railroad town. After burning the town, Sherman wrote in his journal, "Meridian . . . no longer exists." Meridian did survive and became Mississippi's largest city due to its railroad and timber industries and progressive settlers like the Weidmanns, Marks-Rothenbergs, Threefoots, Rushes, Rosenbaums, Rileys, Andersons, and others. Within these pages, meet the people who proved Sherman wrong and continue to influence the area today.
World Musics in Context is a wide-ranging survey of musics of the world, in their historical and social contexts, from ancient times to the present day. Ethnomusicologist Peter Fletcher begins by describing aspects of musical style and function in relation to the early developments of civilizations. He then goes on to explore, in five parts, music of the ancient world, music of Africa and Asia, European music, North and South American traditions, and music of the modern world. A compendium of information as well as an examination of musical causation and function, this book gives a deeper understanding of the various musical traditions that contribute to the modern, multicultural environment.
Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapaskan Indians and other tribal groups in northeast Alaska, the Yukon, and the northwest territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, and a distinctively stratified tune repertoire. Craig Mishler treats this rural subarctic artistic tradition as a distinctive regional style akin to Cajun, bluegrass, or string-band music. He uses convergence theory as the framework for showing how this aesthetic came about. His skillful use of personal anecdotes, interviews, music examples, dance diagrams, and photographs will appeal to general readers interested in folk music and dance, as well as to specialists.
Published after each Presidential election, the Plum Book contains data and actual salaries on over 7,000 Federal civil service leadership and support positions in the legislative and executive branches of the Federal government that may be subject to noncompetitive appointments. Data covers positions such as agency heads and their immediate subordinates, policy executives and advisers, and aides who report to these officials. The duties of many such positions may involve advocacy of Administration policies and programs and the incumbents usually have a close and confidential working relationship with the agency or other key officials. Five appendices.
None