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Zofloya
The protagonist of Charlotte Dacre’s best known novel, Zofloya, or the Moor (1806) is unique in women’s Gothic and Romantic literature, and has more in common with the heroines of Sade or M.G. Lewis than with those of Ann Radcliffe, Charlotte Smith or Jane Austen. No heroine of Radcliffe or Austen could exult, as Victoria does in this novel, that “there is certainly a pleasure … in the infliction of prolonged torment.” The sexual desires and ambition of Dacre’s protagonist, Victoria, drive her to seduce, torture and murder. Victoria is inspired to greater criminal and illicit acts by a seductive Lucifer, disguised as a Moor, before she too is plunged into an abyss by her demon lo...
Folked Up
Magic is connected to everything. Good and Evil existing for eternity waiting for those destined to awake from their slumber. The fury of evil becomes impossible to tame once unleashed. Those that try to cross its pathway of destruction require bravery or stupidity to survive. Matty Groves and his girlfriend Sandy have arrived at the Jack-in-the-Green Inn to perform their traditional folklore music. The Inn is a throw back into another century. At the Inn Matty finds a leather-bound tome that is filled with Folk songs from Olde England. Sandy feels excitement as she brushes her fingers over the tome. Upon looking, Sandy and Matty find a song called Matty Groves. Only there is an extra page. At the end of the concert, the Groveses decide to sing Matty Groves, despite the warnings. That was the beginning of catastrophe. Sandy and Matty are pulled apart from each other and thrown into a whole other world. A realm ruled by magic, where witches existed and evil was controlling. Are they strong enough to fight through this new world and find each other again?
Fatal Women of Romanticism
Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s. She discusses the work of well-known figures including Mary Wollstonecraft, as well as lesser-known writers like Anne Bannerman. By examining women writers' fatal women in historical, political and medical contexts, Craciun uncovers a far-ranging debate on sexual difference. She also engages with current research on the history of the body and sexuality, providing an important historical precedent for modern feminist theory's ongoing dilemma regarding the status of 'woman' as a sex.
Alice Beyond Wonderland
Alice beyond Wonderland explores the ubiquitous power of Lewis Carroll’s imagined world. Including work by some of the most prominent contemporary scholars in the field of Lewis Carroll studies, all introduced by Karoline Leach’s edgy foreword, Alice beyond Wonderland considers the literary, imaginative, and cultural influences of Carroll’s 19th-century story on the high-tech, postindustrial cultural space of the twenty-first century. The scholars in this volume attempt to move beyond the sexually charged permutations of the "Carroll myth," the image of an introverted man fumbling into literary immortality through his love for a prepubescent Alice. Contributions include an essay comparing Dantean and Carrollian underworlds, one investigating child characters as double agents in untamed lands, one placing Wonderland within the geometrical and algebraic “fourth dimension,” one investigating the visual and verbal interplay of hand imagery, and one exploring the influence of Japanese translations of Alice on the Gothic-Lolita subculture of neo-Victorian enthusiasts. This is a bold, capacious, and challenging work.
Boys Over Powers
They took my powers from me--for my own good, so they said--and told me not to come back to Merlin College. But you can't get rid of me that easily. After all, I still have the boys on my side. My foxy familiar Firian, tempting incubus Alec, and sexy vampire Montague--and we have an awesome summer planned in Florida. Part of the plan? Trying to get myself enrolled in a rival witch college. Not part of the plan? The part where Harris von Hapsburg Nicolescu, arrogant jerk that he is, follows us to Florida and gets seriously up in my business. And definitely not the part where Harris gets kidnapped and held for ransom by Montague's sire, a five hundred year old vampire who wants to steal Montag...
Gothic Histories
A comprehensive guide to the history of Gothic from the eighteenth century to the present day that includes original research. >
