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Ken Hyland draws on a number of sources to explore how authors convey aspects of their identities within the constraints placed upon them by their disciplines' rhetorical conventions. He promotes corpus methods as important tools in identity research.
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Written in true historical account form from the point of view of the second daughter of a white headmistress and black sculptor, Diane Celeste Brandt is a racial rarity in the turbulent times of mid 19th century Europe. More so when she finds herself in the United States on a family journey which results in being kidnapped and sold into slavery for six years of her early youth, ironically ending up in an unresolved mystery from her own parents' secret pasts. Inspired by the true tales collected in the 1930s from former slaves, explore a pragmatic account of a young girl's experiences in mid 19th century America. by the Typist
A fascinating literary detective story charting the surprising, true history of a recently discovered painting of Shakespeare held by the same family for 400 years -- adding new drama to the Bard's life. When author Stephanie Nolen reported the discovery of the only portrait of William Shakespeare painted while he was alive, the announcement ignited furious controversy around the world. Now, in this provocative biography of the portrait, she tells the riveting story of how a rare image of the young Bard at thirty-nine came to reside in the suburban home of a retired engineer, whose grandmother kept the family treasure under her bed, and how he embarked on authenticating it. The ultimate Antiques Roadshow dream, the portrait has been confirmed by six years of painstaking forensic studies to date from around 1600, and it has not been altered since.
The Egyptian Collection at Norwich Castle Museum represents the first full publication of this important collection which contains several outstanding objects. Part 1 begins with an outline of the acquisition history of the Egyptian collection and its display within Norwich Castle in 1894, when it was converted from a prison to a museum. The collection was largely acquired between the nineteenth and first part of the twentieth centuries. Its most prominent donor was Flaxman Spurrell, whose varied collection of flints, faience beads and necklaces as well as Late Antique cloths was obtained from Sir Flinders Petrie. Also prominent was the Norwich-based Colman family, most notable for its manuf...
The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
In this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for ...
A pictorial history of Groveland, Florida.