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While many scholars who write about animals deal with animal agency in some way, this volume is the first to position the question of nonhuman agency as the primary focus of inquiry. Section I presents studies of actual animals demonstrating agency; Section II moves agency into new terrain while considering key representations of animal agency in literature; Section III analyzes animals as mediators and as conveyances of human-to-human communication;and Section IV investigates the agency of beings who defy conventional species categories. The Envoi demonstrates how the microscopic polyp is interwoven into notions of agency and mythical superagency. This volume's interdisciplinary explorations press hard on issues of agency to open up space for more questions about how we can understand relationships between the human and the nonhuman.
The 1980s had more than its share of both emerging stars and final tributes paid to luminaries, as well as smash hits and bombs, memorable and boring performances, and new trends and tried-and-true formula offerings. The Film of the Eighties includes numerous examples of all of these. Each entry has the year of release, production company, country of origin (U.S., U.K., Australian, Canadian), leading performers and the characters they portrayed, and comprehensive credits. A brief description, review, and evaluation of the film's cinematic values (if any) are also provided.
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Horror films have been around for more than 100 years, and they continue to make a large impact on popular culture as they reflect their contemporary zeitgeist. Between the mid-1950s and mid-1980s, drive-in theaters were at their peak of popularity, and each decade brought forward new challenges and themes. This book explores 60 B horror films, divided into 12 fun and uniquely-themed categories. Chapters discuss how the Atomic Age, the Vietnam War, the women's liberation movement and other current events and social issues affected these films. Films covered include Willard, The Fly, Santa Sangre and many more.