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These stories from the pen of American award-winning novelist John Cheever show the power and range of one of the finest short story writers of the century.
The story of how little Academy Chicago Publishers (co-owned by the author and her husband, Jordan Miller) tried to publish the late John Cheever's uncollected short stories, and was blocked from doing so by Cheever's family, is now a familiar part of publishing lore (and law).
This well-written text thoroughly addresses two quality of life issues in patients with a variety of neurological disorders: sexual and reproductive function. The de vasta stating effects of a variety of neurological diseases are well known to both the lay and medical communitIes, and are treated in numerous texts. However, as we continue to experience therapeutic breakthroughs in the tields of neurology and rehabilitation medicine, physicians and patients must become more aware of the issues discussed in this text. It is particularly important, as emphasized throughout the chapters, that the physician or therapist initiate conversations with the patients concerning both the possibility of p...
John Cheever’s stories rank among the finest achievements of twentieth-century short fiction. Ensnared by the trappings of affluence, adrift in the emptiness of American prosperity, his characters find themselves in the midst of dramas that, however comic, pose profound questions about conformity and class, pleasure and propriety, and the conduct and meaning of an individual life. At the same time, the stories reveal their author to be a master whose prose is at once precise and sensuous, in which a shrewd eye for social detail is paired with a lyric sensitivity to the world at large. “The constants that I look for,” he wrote in the preface to The Stories of John Cheever, “are a love...
"American Writers focuses on the rich diversity of American novelists
In The Impossible Craft, Scott Donaldson explores the rocky territory of literary biography, the most difficult that biographers try to navigate. Writers are accustomed to controlling the narrative, and notoriously opposed to allowing intruders on their turf. They make bonfires of their papers, encourage others to destroy correspondence, write their own autobiographies, and appoint family or friends to protect their reputations as official biographers. Thomas Hardy went so far as to compose his own life story to be published after his death, while falsely assigning authorship to his widow. After a brief background sketch of the history of biography from Greco-Roman times to the present, Dona...
In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.
_______________'The spirit of Elena Ferrante haunts this tale of a friendship forged in Karachi' - Sunday Times'A profound novel about friendship. I loved it to pieces' - Madeline Miller'A shining tour de force' - Ali Smith, Guardian Summer Reading CHOSEN AS A BOOK OF 2022 BY THE GUARDIAN, OBSERVER, DAILY MAIL AND FINANCIAL TIMES_______________A dazzling new novel of friendship, identity and the unknowability of other people - from the international bestselling author of Home Fire, winner of the Women's Prize for FictionSometimes it was as though the forty years of friendship between them was just a lesson in the unknowability of other people...Maryam and Zahra.In 1988 Karachi, two fourteen-...
John Cheever was one of the foremost chroniclers of post-war America, a peerless writer who on his death in 1982 left not only some of the best short stories of the twentieth century and a number of highly acclaimed novels, but also a private journal that runs to an astonishing four million words. Cheever’s was a soul in conflictm who hid his troubles - alcoholism, secret bisexuality - behind the screen of genial life in suburbia, but as John Updike came to remark: ‘Only he saw in its cocktail parties and swimming pools the shimmer of dissolving dreams . . .’ Blake Bailey, writing with unprecedented access to the journal and other sources, has brought characteristic eloquence and sensitivity to his interpretation of Cheever’s life and work. This is a luminous biography that reveals – behind the disguises with which he faced the world – a troubled but strangely lovable man, and a writer of timeless fiction. ‘Stunningly detailed . . . Even more eloquent and resourceful than Bailey’s celebrated biography of Richard Yates, A Tragic Honesty . . . Bailey’s interweaving of Cheever’s fiction with his experience is a tour de force’ New York Times Book Review