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The Cambridge History of Latin American Women's Literature is an essential resource for anyone interested in the development of women's writing in Latin America. Ambitious in scope, it explores women's literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women's Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.
DIVFocuses on perpetrators of human rights crimes, investigating confessions by human rights violators in contexts of transitional justice in South America and South Africa./div
Chilean poet, educator, diplomat, and feminist Gabriela Mistral (1889-1957) rose from poverty in the foothills of the Andes to become the first Latin American to win the Nobel Prize in Literature in 1945. This volume provides both a detailed biography of the author and a careful analysis of her writing. Chronicling the personal, psychological, and social currents of Mistral's life and times, it addresses such topics as her finances, illness, and sexuality. Literary analysis considers the sacred and secular influences on Mistral's oevre, including Catholicism, the Hebraic tradition, Theosophy, and Buddhism. By recounting Mistral's intelligence and perseverance in overcoming her life's obstacles to reach the pinnacle of her field, this book establishes her as a model for Chileans and for humanity.
Traditional histories of war have typically explored masculine narratives of military and political action, leaving private, domestic life relatively unstudied. This volume expands our understanding by looking at the relationships between mothers and children, and the varied roles both have assumed during periods of armed conflict.
In Cruel Modernity, Jean Franco examines the conditions under which extreme cruelty became the instrument of armies, governments, rebels, and rogue groups in Latin America. She seeks to understand how extreme cruelty came to be practiced in many parts of the continent over the last eighty years and how its causes differ from the conditions that brought about the Holocaust, which is generally the atrocity against which the horror of others is measured. In Latin America, torturers and the perpetrators of atrocity were not only trained in cruelty but often provided their own rationales for engaging in it. When "draining the sea" to eliminate the support for rebel groups gave license to eliminat...
Unsettling Nostalgia in Spain and Chile: Longing for Resistance in Literature and Film reframes nostalgia to analyze how writers and filmmakers have responded to 20th-century dictatorial violence and loss in Spain and Chile. By reaching beyond reductive definitions that limit nostalgia to a conservative desire to defend traditional power hierarchies, Lisa DiGiovanni captures the complexity of a critically conscious type of longing and form of transmission that she terms “unsettling nostalgia.” Using literature and film, DiGiovanni illustrates how unsettling nostalgia imbues representations of pre-dictatorial mobilization during the Second Spanish Republic (1931–1939) and the Chilean Po...
Diamela Eltit’s literary work emerged on the Chilean cultural scene in the 1980s when the Pinochet regime (1973-1990) had consolidated its project of extermination, censorship, and neoliberal shock therapy. Forced to write in a suffocating atmosphere of restriction and violence, Eltit boldly cultivated a radical, insurrectional poetics aimed at questioning the very underpinnings of authoritarian power and discourse. While Eltit’s novels, published between 1983 and the present, provide a remarkable vision of Chile that has evolved over the past decades, she offers a different vantage point through her prolific and rigorous cultivation of literary essays. Translated for the first time into English, this collection of Eltit’s essays allows readers to delve into her key concerns as a writer and intellectual: the neoliberal marketplace; the marginalization of bodies in society; questions of gender and power; struggles for memory, truth, and justice after dictatorship; and the ever-complex relationships among politics, ethics, and aesthetics.
This study is the only book in English to analyse Chilean memory culture using an interdisciplinary angle (memory studies, gender studies, literature in post-dictatorship Chile) It includes comprehensive material, from award-winning authors (Diamela Eltit, Carlos Franz, Arturo Fontaine), rising stars of the Chilean literary scene (Nona Fernández) to first-time published novelists (Pía González, Fátima Sime) It is the only book in English that focuses on women, memory and dictatorship in contemporary Chile from a cultural and literary perspective. It offers a new way of comprehending Chilean memory culture, considering gender and literature as two key elements in this cultural approach to the recent past.
Virginity is of concern here, that is its utter messiness. At once valuable and detrimental, normative and deviant, undesirable and enviable. Virginity and its loss hold tremendous cultural significance. For many, female virginity is still a universally accepted condition, something that is somehow bound to the hymen, whereas male virginity is almost as elusive as the G-spot: we know it's there, it’s just we have a harder time finding it. Of course boys are virgins, queers are virgins, some people reclaim their virginities, and others reject virginity from the get go. So what if we agree to forget the hymen all together? Might we start to see the instability of terms like untouched, pure, ...
Este importante libro nos propone una mirada y un posicionamiento que invita al debate y a la discusión sobre lo que significa para las mujeres inscribirse en el círculo de la violencia. Al mismo tiempo, emerge como una sugerente lectura teórica y política, utilizando algunos conceptos de las teorías de género para brindar una comprensión del fenómeno abordado. Su escritura aparece como un interesante entramado de relato histórico, testimonial y ensayístico. Por eso, desde nuestra óptica el gesto de la autora semeja, parafraseando su texto, “una mujer en armas”, una mujer que desafía el sentido común y desde las armas de la escritura va construyendo un universo de sentidos ...