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Native Country of the Heart
“[Written] with a poet’s verve. . . . This memoir’s beauty is in its fierce intimacy.” —Roy Hoffman, The New York Times Book Review Native Country of the Heart: A Memoir is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California’s Imperial Valley. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where a r...
Waiting in the Wings
In a series of journal entries—some original passages, others revisited and expanded in retrospect—Cherrié Moraga details her experiences with pregnancy, birth, and the early years of lesbian parenting. The premature birth of her son, when HIV-related mortality rates were at their highest, forced Moraga, a new mother at 40-years-old, to confront the fragile volatility of life and death; in these recorded dreams and reflections, her terror and resilience are made palpable. The particular challenges of queer parenting prove transformative as Moraga navigates her interesecting roles as mother, child, lover, friend, artist, activist, and more. With an updated introduction and other additions, this 25th anniversary edition of Waiting in the Wings is thoughtful and emotive, with prose that is sharp and beautifully written, from the voice of a beloved and incomparable writer.
This Bridge Called My Back
This groundbreaking collection reflects an uncompromised definition of feminism by women of color. 65,000 copies in print.
A Xicana Codex of Changing Consciousness
DIVCollection of essays and poems that address the challenges of being a Chicana, a lesbian, and a feminist in the changing world of the twenty-first century./div
Hungry Woman
A curious couple with a devious lifestyle make a single decision that has many macabre chapters of unforeseen consequences. It's a beautifully beastly eighteen-year study in loyalty, tensility, and personal demons.
The Wounded Heart
In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, desire, and pleasure. Yvonne Yarbro-Bejarano divides the book into three sections, which analyze Moraga's writing of the body, her dramaturgy in the context of both dominant and alternative Western theatrical traditions, and her writing of identities and racialized desire. Through close textual readings of Loving in the War Years, Giving Up the Ghost, Shadow of a Man, Heroes and Saints, The Last Generation, and Waiting in the Wings, Yarbro-Bejarano contributes to the development of a language to talk about sexuality as potentially empowering, the place of desire within politics, and the intricate workings of racialized desire.
Reading Spiritualities
The phenomenon of sacred text has undergone radical deconstruction in recent times, reflecting how religion has broken out of its traditional definitions and practices, and how current literary theories have influenced texts inside the religious domain and beyond. Reading Spiritualities presents both commentary and vivid examples of this evolution, engaging with a variety of reading practices that work with traditional texts and those that extend the notion of 'text' itself. The contributors draw on a range of textual sites such as an interview, Caribbean literature, drama and jazz, women's writings, emerging church blogs, Neo-pagan websites, the reading practices of Buddhist nuns, empirical...
Myths of Oppression
Inci Bilgin Tekin's study offers a comparative perspective on two very challenging contemporary female playwrights, Liz Lochhead and Cherrie Moraga, and their Scottish and Chicanese adaptations of myths—such as the Greek Medea and Oedipus or the Mayan Popul Vuh—which address ethnic, racial, gender, and hierarchical oppression. Her book incorporates postcolonial and feminist readings of Lochhead's and Moraga's plays while it also explores different mythologies on the background. Bilgin Tekin not only introduces an original point of view on Liz Lochhead's and Cherrie Moraga's plays as adaptations or rewrites, but also calls attention to the non-canonized Scottish, Aztec, and Mayan mythologies. Following an innovative approach, she discusses the question in which ways Lochhead's and Moraga's adaptations of myths are challenges to the canon and further suggests a feminist version of Augusto Boal's Theatre of the Oppressed.The study appeals to readers of mythology, drama, and comparative literature. Those interested in postcolonial and feminist theories will also gain valuable new insights.
