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Thomas V. McBride
None
Index; 1963
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Play Directing
Play Directing describes the various roles a director plays, from selection and analysis of the play, to working with actors and designers to bring the production to life.
For a Lost Soldier
A child's fears, first love, and confused emotions in 1944 occupied Amsterdam, rarely described.
The Song Poet
Winner of the 2017 Minnesota Book Award in Creative Nonfiction Finalist for the Chautauqua Prize, the National Book Critics Circle Award, the PEN USA Literary Center Award, and the Dayton Literary Peace Prize In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses. He keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning memoir The Latehomecomer, Kao Kalia Yang now retells the life of her father, Bee Yang, the song poet—a Hmong refugee in Minnesota, driven from the mountains of Laos by America’s Secret War. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. The songs fall away in the cold, bitter world of a St. Paul housing project and on the factory floor, until, with the death of Bee’s mother, they leave him for good. But before they do, Bee, with his poetry, has burnished a life of poverty for his children, polishing their grim reality so that they might shine.
Mrs Farnsworth
Typescript, dated March 21, 2004. The play opened March 7, 2004, at Flea Theater, New York, N.Y. with a cast led by Sigourney Weaver and John Lithgow, directed by Jim Simpson.
State v. O'Neill: Case File, Sixth Edition
Liza O'Neill was shot and killed the night of her twenty-sixth birthday on the front porch of her stepmother's home. Liza's estranged husband, Joseph O'Neill, was charged with first degree murder and pleaded not guilty. The case went to trial and resulted in a hung jury. The State is retrying the case. There are three witnesses for both the plaintiff and the defendant along with one optional witness for either side.
A Pearl in the Storm
"In the end, I know I rowed across the Atlantic to find my heart, but in the beginning, I wasn't aware that it was missing." In June 1998, Tori McClure began rowing across the Atlantic Ocean solo in a twenty-three-foot plywood boat with no motor or sail. Within days she lost all communication with shore but decided to forge ahead -- not knowing that 1998 would turn out to be the worst hurricane season on record in the North Atlantic. When she was nearly killed by a series of violent storms, Tori was forced to signal for help and head home in what felt like disgrace. But then her life changed in unexpected ways. She was hired by Muhammad Ali, who told her she did not want to be known as the woman who "almost" rowed across the Atlantic. And at thirty-five, Tori fell in love. A Pearl in the Storm is Tori's thrilling true story of high adventure -- and of her personal quest to discover that embracing her own humanity was more important than superhuman feats.
Deserving and Entitled
Public policy in the United States is marked by a contradiction between the American ideal of equality and the reality of an underclass of marginalized and disadvantaged people who are widely viewed as undeserving and incapable. Deserving and Entitled provides a close inspection of many different policy arenas, showing how the use of power and the manipulation of images have made it appear both natural and appropriate that some target populations benefit from policy, while others do not. These social constructions of deservedness and entitlement, unless challenged, become amplified over time and institutionalized into permanent lines of social, economic, and political cleavage. The contributors here express concern that too often public policy sends messages harmful to democracy and contributes significantly to the pattern of uneven political participation in the United States.
