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A lesbian couple's struggles with infertility as they attempt to become parents, set within the marriage equality movement.
Rita Jackson is a young woman on the skids, spending her time in shelters and on the dot-com-drunk streets of late 1990s San Francisco. She's a young woman haunted by the murder of her mother when she was thirteen, and a young bride haunted by the disappearance of her husband, Jimmy, who split after a nasty argument more than a year earlier. Together Jimmy and Rita were slipping into drugs and hard times. Rita is filled with feelings of guilt and failure, and the hope that she will one day and Jimmy. She doesn't know that he is still in the city, still in love with her, waiting tables in an expensive restaurant while trying to get a foothold in the straight life. When Rita witnesses the afte...
Winner of the 2008 Agnes Lynch Starrett Poetry Prize Enacting the Zen proverb "fall down seven times, get up eight," this collection explores the ways we fall--through disillusionment, disappointment, and plain, old-fashioned mistakes, and the ways we rise up--out of personal debacles, unfortunate circumstances, family legacies, and collective struggles.
Poetry. Native American Studies. "Sandy Stillwell invites us to take a seat on that boulder by the river and listen to the water roll awhile. In her poems the natural world becomes a mirror for the complexities of our lives, an endless source of wisdom that guides us. Stillwell reminds us that 'something knocking against the heart...is not to be ignored.' She encourages us to open the door and let ourselves in"--Cheryl Dumesnil. "Sandra tells wonderful stories in her poems, adding herself to a long line of storytellers. Like griots of old, she distills the truth through a fine water of words. And that is the key to her work--a deep love and sharing of truth"--James Downs.
The poems in this collection are the proverbial spring bulbs abandoned in the basement, growing toward a slim crack of sunlight. They are both aware of the limitations of social structures and forcefully committed to breaking out of those traps, urging toward a better way of living. The characters in these poems resist the twenty-first century's prescription for a life of emotional-spiritual bankruptcy, reaching toward an ever-elusive glimmer on the horizon.
In the bestselling tradition of Drinking, Smoking, and Screwing: Great Writers on Great Times comes a hip collection of classic and contemporary stories, essays, and poems about tattoos. Previously considered the domain of bikers and a rite of passage in the army, tattoos have crawled out of society’s fringes and onto the ankles of starlets and the biceps of bankers. While still risque enough to raise a mother-in-law’s eyebrow, tattoos have come to be one of the most popular forms of personal expression. DOROTHY PARKER’S ELBOW brings together some of the most erotic, humorous, and vivid fiction, essays, and poetry that explore the mysterious fascination and the intensity of emotion attached to the act of being tattooed. Readers will join great writers, including Flannery O’Connor, Rick Moody, Elizabeth McCracken, Sylvia Plath, and more in celebrating the tattoo experience in all of its rebellious glory.
The topic of incest began to emerge in the early 1990s, producing a spate of television specials and providing the material for a surging industry of talk shows as well as an anti-feminist campaign against incest survivors and their therapists. The validity, reality, and readability of recovered memories of incest has become a highly contested and difficult subject. This heightened interest has benefited incest survivors, according to Rosaria Champagne, by allowing them to speak up and make political their experiences. Victims, formerly entwined in their own abuse by remaining silent, have learned to voice their protest and to challenge the societal order that allows incest to occur. In The ...
Because clothing, food, and shelter are basic human needs, they provide excellent entries to cultural values and individual aesthetics. Everyone gets dressed every day, but body art has not received the attention it deserves as the most common and universal of material expressions of culture. The Grace of Four Moons aims to document the clothing decisions made by ordinary people in their everyday lives. Based on fieldwork conducted primarily in the city of Banaras, India, Pravina Shukla conceptualizes and realizes a total model for the study of body art—understood as all aesthetic modifications and supplementations to the body. Shukla urges the study of the entire process of body art, from the assembly of raw materials and the manufacture of objects, through their sale and the interactions between merchants and consumers, to the consumer's use of objects in creating personal decoration.
At the age of thirty-nine, Sarah Kowalski heard her biological clock ticking, loudly. A single woman harboring a deep ambivalence about motherhood, Kowalski needed to decide once and for all: Did she want a baby or not? More importantly, with no partner on the horizon, did she want to have a baby alone? Once she revised her idea of motherhood—from an experience she would share with a partner to a journey she would embark upon alone—the answer came up a resounding Yes. After exploring her options, Kowalski chose to conceive using a sperm donor, but her plan stopped short when a doctor declared her infertile. How far would she go to make motherhood a reality? Kowalski catapulted herself in...
American poet born between 1951 and 1977 who was not influenced by popular music and the paradigm shift that occurred in the country ... Under the Rock Umbrella brings together the best poets influenced by this powerful era in music to allow us to examine the music of each poet's own verse. --Mercer University Press.