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In Dialogue
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Storied Past
The Blanton Museum of Art's collection of French Drawings is less well known than its other collections. This title is the first to publish the museum's over 75 works in a variety of media, ranging in date from the sixteenth through the nineteenth centuries. Preliminary sketches, fully developed compositional studies, figure studies and finished drawings show the breadth of the medium. The collection has a strong series of Italianate examples as well - many never before published - from the seventeenth and eighteenth centuries when the Académie royale de peinture et de sculpture was evolving into one of the dominant cultural and political institutions in Europe. SELLING POINTS: *Artists included in this collection are Jacques Callot, Theodore Rousseau, François Boucher and Jean Forain among others *Gives an in-depth understanding of the major figures of 16th-19th century French drawing and reflects the various shifts in the approach as it reached the modern era 99 colour & 4 b/w illustrations
The Political Economy of Art
"Political economy is defined in this volume as collective state or corporate support for art and architecture in the public sphere intended to be accessible to the widest possible public, raising questions about the relationship of the state to cultural production and consumption. This collection of essays explores the political economy of art from the perspective of the artist or from analysis of art's production and consumption, emphasizing the art side of the relationship between art and state. This volume explores art as public good, a central issue in political economy. Essays examine specific cultural spaces as points of struggle between economic and cultural processes. Essays focus on three areas of conflict: theories of political economy put into practices of state cultural production, sculptural and architectural monuments commissioned by state and corporate entities, and conflicts and critiques of state investments in culture by artists and the public."--amazon.com edit. desc.
Artists and Amateurs
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Homecoming
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Artists and Amateurs
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Monumental Troubles
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The Ku Klux Klan in the Heartland
"Who is an American?" asked the Ku Klux Klan. It is a question that echoes as loudly today as it did in the early twentieth century. But who really joined the Klan? Were they "hillbillies, the Great Unteachables" as one journalist put it? It would be comforting to think so, but how then did they become one of the most powerful political forces in our nation's history? In The Ku Klux Klan in the Heartland, renowned historian James H. Madison details the creation and reign of the infamous organization. Through the prism of their operations in Indiana and the Midwest, Madison explores the Klan's roots in respectable white protestant society. Convinced that America was heading in the wrong direction because of undesirable "un-American" elements, Klan members did not see themselves as bigoted racist extremists but as good Christian patriots joining proudly together in a righteous moral crusade. The Ku Klux Klan in the Heartland offers a detailed history of this powerful organization and examines how, through its use of intimidation, religious belief, and the ballot box, the ideals of Klan in the 1920s have on-going implications for America today.
