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Wearing the Cheongsam
Associations between the cheongsam dress and Chinese cultural identity are well known but what are the meanings of the cheongsam for members of the Chinese diaspora? In a study grounded in first-hand accounts of wearing, Cheryl Sim explores the practices and experiences of women in Canada, a major Chinese diaspora, and carries out the first in-depth study of the cheongsam from this critical point of view. Questions explored over the course of 20 interviews, as well as during personal reflections on the author's own experiences of wearing, include: is there a desire to re-claim or appropriate the cheongsam? Does this desire risk perpetuating stereotypes of Asian women? Does it undermine one's...
Experience of School Transitions
Leaving school, whether to move on to training, work or education, is a fundamental rite of passage the world over. This volume draws on a wealth of international sources and studies in its analysis of the ‘transitions’ young students make as they move on from their secondary schooling. It identifies how these transitions are planned for by policymakers, enacted by school staff and engaged with by students themselves. With data from a range of nations with advanced industrial economies, the book delineates how the policies relating to these transitions need to be conceived and implemented, how the transitions themselves are negotiated by young people, and how they might be shaped to meet...
Relations
This publication is basedon the major exhibition All Our Relations, which explored the complex and multiple meanings of diaspora, its condition and experience as expressed through painting. As part of a discursive approach, All Our Relations brought together works by artists thatelicit meanings of the diasporic condition from a diversity of perspectives, methodologies and aesthetic languages. The medium of painting, with its deep and complex history becomes a particularly provocative lens through which to explore the complications as well as the celebration and richness of diasporic experiences. With a desire for an intergenerational dialogue the exhibition also presented proposals that push the boundaries of what painting is and can be.Featuring full-colour reproductions and installation views, each work is accompanied by a texts by a wide range of writers that explore each artist's practice.
A Great Betrayal
None
The Sculptural in the (Post-)Digital Age
Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture
Libre
LIBRE DHC/ART' tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART? as well as this publication? is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE.0The publication chronicles the evolution of DHC/ART? since its launch in 2007 by Phoebe Greenberg? and through its story provides a platform for critical essays that open up larger questions about the potential for innovative institutional models to develop contemporary art audiences for the future. Amongst the contributors are Sarah Thornton and Jan Verwoert. The DHC/ART Education department provides an account of their critical pedagogy while the book is rounded out with a questionnaire on the use-value of Installation View photography with contributions from Simon Starling, Barbara Clausen, JiaJia Fei, Brian Droitcour, Vincent Bonin and Richard-Max Tremblay.
Hua Song
Photographic album of the origins and development of Chinese communities around the world.
A Walking Tour Singapore
Singapore is a cosmopolitan city with towering skyscrapers and state-of-the-art building technology. Nestled within its modern built environment are vestiges of its British colonial past and its cultural history. From its spanking new waterfront to its quaint shophouses and from its temples to its mosques and churches, Singapore is as multifarious architecturally as it is culturally. Architect G. Byrne Bracken captures with his sketches the unique diversity that defines Singapore. Covering favourite places such as Chinatown, the Civic District, Orchard Road and Kampong Gelam, this charming sketch-cum-guidebook will enrich your appreciation of Singapore through its distinctive urban landscape.
Listening
A vital and comprehensive starting place for understanding the key concepts, this book explores 177 diverse types and styles of listening named in academic scholarship to date. This book is an encyclopaedic-style synthesis of existing literature related to listening styles and types. Through online academic resource curation and literature review synthesis, this key reference work offers a deep dive into the interdisciplinary foundations of listening. By providing a brief descriptive overview of each of the identified listening styles and types as well as the inclusion of key scholars related to them, this book challenges assumptions about “listening” as a singular communicative activity...
Wearing the Cheongsam
Associations between the cheongsam dress and Chinese cultural identity are well known but what are the meanings of the cheongsam for members of the Chinese diaspora? In a study grounded in first-hand accounts of wearing, Cheryl Sim explores the practices and experiences of women in Canada, a major Chinese diaspora, and carries out the first in-depth study of the cheongsam from this critical point of view. Questions explored over the course of 20 interviews, as well as during personal reflections on the author's own experiences of wearing, include: is there a desire to re-claim or appropriate the cheongsam? Does this desire risk perpetuating stereotypes of Asian women? Does it undermine one's...
