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LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Dearest Mama
A cache of letters leads to a journey of discovery that reveals the long and lasting consequences of war William S. Walker never knew his uncle, Fletcher "Bud" Blanton. Blanton had been killed fighting in Europe during World War II before Walker was born. Walker had heard stories about Bud, but for most of his life his uncle had existed only as a faded memory. That path changed when Walker opened a dusty cabinet forgotten in his garage attic and found a paper sack and a note in his father's handwriting that read, "Go through before you throw away." The bag was filled with family photos, correspondence, and a collection of letters and postcards that his uncle Bud had written to his family during his time on the frontline as a US Army infantryman in Europe. The first letter he pulled from the bag opened with the line, "Dearest Mama." Walker's Dearest Mama is Bud Blanton's story. More than that it is a deeply personal family chronicle that resonates for all those left behind when servicemembers do not return home from combat.
The Political Poetess
The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"—one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget th...
Contesting the Subject
Stanley Fish opens the collection with a persuasive argument for the role of intention and biography. Michael McKeon, Gordon Turnbull, and Jerome Christensen are concerned with the late eighteenth--and early nineteenth-century English cultural discourse that gave rise to the nearly simultaneous emergence of literary biography, Romantic sensibility, and reflexive human consciousness. The essays by Alison Booth, Cheryl Walker, and Sharon O'Brien reveal that the recognition or lack thereof the biographical subject has received and remains both a problem and an opportunity for women writers and readers. The essays by Valerie Ross, Rob Wilson, Steven Weiland, and William Epstein pursue the question of difference and cultural reification in the theory and practice of a specifically American biography and biographical criticism.
A Gendered Collision
As documented in her poetry and fiction, Parker's modernism moves beyond a narrow set of aesthetic principles; it carries the remnants from a collision of competing values, those of nineteenth-century sentimentalism, and twentieth-century decadence and modernism. Her works display the intense dynamic in which early twentieth-century literature and art were created."--BOOK JACKET.
Masks Outrageous and Austere
Cheryl Walker, an ETHS graduate of 1965 has produced a study of early 20th century female American poets.
The Stand In
The Stand In is a fast-paced political thriller about the J.F.K assassination that takes place today! You won't put it down. Andy Bell is a college student on summer vacation at his father's cabin in the New York Adirondack Mountains. He befriends a reclusive old man--Walker--who is dying of cancer. Through a series of events, Andy learns that Walker, thirty-seven years ago, was involved in the assassination of President Kennedy. With old CIA operatives and current FBI agents converging on Beaver River, New York, Andy must seek confessions from old men who have kept the secrets and killed off the participants and witnesses to an event before he was born.
Wartime Style
This work is a comparative study of the three "great" American wars of the 20th century: World War I, World War II and Vietnam. The book explores several aspects of American popular culture, like fashion, film and societal mores. While a number of books have covered fashion during individual wars, this is the first study to compare several major conflicts, drawing some conclusions regarding the lasting influences of wardrobe over an entire century. This book provides short background information for each war, briefly covering earlier conflicts that shaped the hostilities of the 20th century. Although the emphasis is on women's clothing, participation and service, men are not ignored. Their fashions not only speak to the times, but the enormity of their sacrifices.
Amy Lowell, Diva Poet
Bradshaw uses theories of the diva and female celebrity to account for Lowell's extraordinary literary influence in the early twentieth century and the dismissal of her work after her death. Drawing on a rich array of letters, memoirs, newspapers and periodicals, but eschewing the biographical interpretations of her poetry that have often characterized criticism on Lowell, Bradshaw restores Lowell to her rightful place as a powerful writer and impresario of modernist verse.
The Cambridge Companion to Nineteenth-Century American Women's Writing
A 2001 Companion providing an overview of the history of writing by women in nineteenth-century America.
